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Jeannette: The Childhood of Joan of Arc | Review

The Passion of the Joan: Dumont Approaches Ecclesiastical Fervor in Musical Comedy If cinema could approach the same sacred realm as any pre-ordained religious doctrine,...

Cezanne et Moi | Review

Their Brilliant Careers: Thompson’s Flavorless Exploration of Famed Friendship Those hoping for an invigorating comeback from Daniele Thompson following her egregiously ludicrous It Happened in...

Music Box Have a Wandering Eye For Fontaine’s “Gemma Bovery”

After shoring up in Toronto with their Cannes pick-ups in Alleluia and Gett: The Trial of Viviane Amsalem, the Music Box Films folks have landed...

2014 TIFF: McCarthy, Bettany, Girard, Fontaine, Barthes Among Several World Preem Add-Ons

Just how much sway do TIFF programmers have? Looking at today's Gala and Special Presentation add-ons, measurably, when it comes to films with star-wattage and...

Key Players in the 2011 Cannes Market: Pathe International

Pathe have Main Comp titles in Paolo Sorrentino's This Must Be the Place and Alain Cavalier's Pater on their product list, but the sale agent might find both titles a difficult sell until they are unveiled to the film critic mass. I'd bet that Phyllida Lloyd's The Iron Lady with Meryl Steep is the most desired item on their inventory list.

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Interview: Akinola Davies Jr. – My Father’s Shadow

Before he began his maiden voyage into Cannes (being...

How to Divorce During the War | 2026 Sundance Film Festival Review

Invisible Missiles: Blaževičius Offers Chilly Portrayal of a Couple...

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