Guilt By Aviation: Gozlan Delivers Intrigue with Paranoia Tinged Tech Thriller
An acoustically sensitive black box analyst, Mathieu Vasseur (Niney) is suddenly roped into investigating a high profile crash of a brand new aircraft which went down unexpectedly. The Cockpit Voice Recorder (CVR) is recovered, with his more experienced colleague Victor (Olivier Rabourdin) initially dispatched. But Victor suddenly disappeared, and with their supervisor (Andre Dussollier) desperate to inform the press of what happened on the aircraft, Mathieu is pressured to deliver an analysis of the recording. Initially, it appears the crash was the result of a terrorist attack, but with certain discordant noises, Mathieu digs deeper. This ruffles feathers with his wife, Noemie (Lou De Laage), who works for the company designing these new aircrafts, specifically in the department approving the functionality of the plane’s design. When he’s told to back off, Mathieu digs deeper, compromising his relationship, career, and eventually his life because someone out there doesn’t want him to expose the truth of what really happened to the aircraft.
Although not entirely surprising, Black Box does deftly weave topical red herrings into what amounts to a capitalistic corruption narrative without overextending itself on the actual technicalities of its specific realm. Details about the CVR, data manipulation and ultimately the troubling potential of aircraft malfunction are whittled down to the complex intersection of idealism and ego. Smartly, none of these details override Gozlan’s human focus, and the narrative recalls Michael Crichton’s similar 1996 aviation thriller Airframe, which at one point was poised to become a studio production in the late 90s, compromised by budget and contractual obligations.
Niney (who played a character also named Mathieu Vasseur in A Perfect Man) is believable as a man who throws away the life he’s built in pursuit of a truth not because he’s noble but because he’s satisfying his own ego. Workplace competition with his superior Oliver Rabourdin (also a favored cast member for Gozlan) sets the stage dictating Mathieu desires to prove himself, as does the certain auditory reality which barred him from success in the realm of spouse, Noemie, headhunted for a high profile position in the company which built the plane whose cutting edge mechanisms come under fire.
If there’s any real weak point, it’s perhaps the handling of Lou de Laage as Noemie, donning a slicked blonde bob meant to signify her corporate leanings. She’s merely a catalyst for the narrative’s destructive rampage to the finish, but a moment of betrayal echoes a timeless tradition of men compromising their romantic counterparts for professional gain (think Mel Gibson’s journalist sacrificing his relationship to Sigourney Weaver’s attache in The Year of Living Dangerously, his occupational desperation dictating he disclose intelligence furthering his career).
Andre Dussollier is at a consistent perfect pitch as Niney’s supervisor, while Pierre Cottereau’s cinematography is an inviting, if workmanlike gaze into the behind-the-scenes routines which could have easily stalled or stagnated the film’s sense of paranoia. Familiar but innovative, Black Box hits all the right marks as a superior thriller.
★★★½/☆☆☆☆☆