Tag: Cinema of France

Standing on a Beach: François Ozon Reteams with Benjamin Voisin for ‘L’Étranger’ (The Outsider)

He broke out big in François Ozon's Summer of 85 (he confirmed his prowess with his following film the Venice Film Fest preemed Lost...

The Empire (L’Empire) | Review

The Satire Strikes Back: Dumont Claims His Own Multi-Verse It’s sometimes difficult to predict what mode French auteur Bruno Dumont will be choosing for his...

Interview: Producer David Thion – Triet’s Anatomy of a Fall, Hansen-Løve’s If Love Should Die

This year marks the silver anniversary of French film producer David Thion, who made his debut with Emmanuel Mouret’s Laissons Lucie Faire! in 2000....

The Ice Tower (La Tour de Glace) | 2025 Berlin Intl. Film Festival Review

Hearts of Glass: Hadžihalilović Casts a Wintry Spell A chilly scene of winter unfolds in La Tour de Glace (The Ice Tower) at a glacial...

Ari | 2025 Berlin Intl. Film Festival Review

Murmur of the Heart: Serraille Conquers Indifference Through Sincerity With her third feature, Ari, director Léonor Serraille confirms a clear pattern of interest in exploring...

Marcello Mio | Review

In the Name of the Father: Honore Pays Homage via Identity Crisis “I only exist when I am working on a film,” Marcello Mastroianni...

Joy Division: Camille Razat, Elsa Zylberstein & Lyna Khoudri Topline Mounia Meddour’s Drama Romance

After her break-out female empowerment portraits in the Cannes Un Certain Regard selected Papicha (2019) and Houria (2022), Franco-Algerian filmmaker Mounia Meddour is moving...

Snowed In: Quentin Dupieux Enlists Exarchopoulos, Leklou & Kiberlain for ‘L’Accident de piano’

Quentin Dupieux had enlisted alumni Adèle Exarchopoulos and then add-ons Sandrine Kiberlain and Karim Leklou for L'Accident de piano (formerly L'Avant-dernière séance). As per...

Interview: Nora El Hourch – HLM Pussy (Sisterhood)

Selected for TIFF's Platform section (Toronto's only competition section), French-born filmmaker Nora El Hourch pulled from some of her own narrative for her high...

Sisterhood (HLM Pussy) | Review

Nora El Hourch’s Fiery Sisterhood is La Haine for the #MeToo Generation Arriving like a molotov cocktail thrown through a plate glass window — or...

Eat the Night | Review

The Sway of the Sword: Reality Bytes in Poggi/Vinel's Bleak Online/Offline Portrait Caroline Poggi and Jonathan Vinel's sophomore feature outing pulses with the heartbeat of...

Stitched Together: Ella Rumpf, Louis Garrel & Garance Marillier Join ‘Coutures’

Production is officially underway on Alice Winocour's fifth feature film, Coutures aka Stitches, and the casting announcements keep getting bigger. Joining yesterday's reveal of...

Upcoming Collections: Angelina Jolie Strikes a Pose for Alice Winocour ‘Stitches’ (aka Coutures)

Back in September we reported that French filmmaker Alice Winocour had begun pre-production on her fifth feature film and a major casting announcement has...

Emilia Pérez | Review

Risky Business: Audiard Surprises with Vibrant Genre Musical Although it’s assembled from unlikely, even questionable sources, Jacques Audiard’s latest feature, Emilia Pérez, a genre...

Make No Promises: Virginie Efira & Arieh Worthalter Topline Kruithof’s ‘Les Braises’

In a double Virginie Efira casting news type of day, we learn that after dropping in Rebecca Zlotowski's Vie Privée, the actress will move...

Murder She Notes: Efira, Amalric, Lacoste & Luana Bajrami Join Zlotowski’s ‘Vie Privée’

Last week, we got the confirmation that Jodie Foster and Daniel Auteuil were toplining Rebecca Zlotowski’s Vie Privée and now we have a more...

We Were Two: Jodie Foster Joins Daniel Auteuil in Rebecca Zlotowski’s ‘Vie Privée’

She's coming off a career-best with Other People's Children (2022 Venice Film Festival selection) and recently was one of the scribes on Audrey Diwan's...

Daaaaaali! | Review

Good Golly, It’s Dali: Dupieux Dreams Surreal in Distinctive Biopic It seems surrealism’s pioneer Salvador Dali is experiencing something of a culturally concentric resurgence as...

Time for Change: Anna Cazenave Cambet Begins Production on ‘Love Me Tender’ with Vicky Krieps, Reinartz, Chokri & Ji-Min Park

French filmmaker Anna Cazenave Cambet was setting up shop for her sophomore feature with Vicky Krieps and Antoine Reinartz (Anatomy of a Fall fame)...

Number Five: Alice Winocour is in Pre-Production on Paris-Based Young Adult Portrait

A recent casting notice reveals that French filmmaker Alice Winocour, whose last film Revoir Paris was selected for Directors' Fortnight in 2022, is in...

The Quiet Son (Jouer avec le feu) | 2024 Venice Film Festival Review

Father Knows Best: The Coulin Sisters Examine the Detrimental Ripples of Fascism With their third feature, The Quiet Son, French directing duo Delphine and Muriel...

And Their Children After Them | 2024 Venice Film Festival Review

Teenage Wasteland: Boukherma Bros. Sprawl with Coming-of-Age Melodrama French directing twins Ludovic & Zoran Boukherma swing hard with their fourth feature, And Their Children After...

Three Friends (Trois amies) | 2024 Venice Film Festival Review

Lyon Lies Bleeding: Mouret Explores L’amour Fou (Encore) Even for those unfamiliar with the filmography of Emmanuel Mouret, his latest film, Three Friends will unequivocally...

Planète B | 2024 Venice Film Festival Review

Say My Name Say My Name: Rapin Conquers Hearts, Minds and VR HeadSets in Wonky Digital Dystopia Piece After exploring themes of rebirth and reincarnation...

Exclusive Clip: Invalid Expire Dates in Aude Léa Rapin’s ‘Planet B’

After splashing in the Critics' Week section on the Croisette with Heroes Don't Die (2019), Aude Léa Rapin returns to another Critics' Week section...

Cent mille milliards | 2024 Locarno Film Festival Review

The Unhappy Hooker: Vernier Explores Ennui in Monaco Interconnected drifters aligned with sex work once again provide the backbone for Virgil Vernier’s third feature 100,000,000,000,000...

Lise Akoka & Romane Gueret Prefer “Ma frère”, Emmanuel Marre Goes Solo on “Notre salut”

As usual, the folks at Cineuropa get the dibs on CNC’s advance receipt news and today we learn that The Worst Ones (Les Pires)...

The Deep Blue V: Sophie Letourneur Sets Sails for “L’Aventura”

Savory wine, blissful beaches, rugged topography, and an elusive Philippe Katerine who plays Jean-Philippe -- we've been keeping close tabs on what will be...

Two for 2025?: Xavier Giannoli’s “Jean et Corinne Luchaire” & Rebecca Zlotowski’s “Vie privée” Receive CNC Support

We have the first details on the next feature films from a pair of French auteurs who arguably are both coming off what might...

Third Time’s A Charm: Dupieux & Exarchopoulos Re-team on “L’Avant-dernière séance”

After collaborating with the other half of the Blue is the Warmest Color tandem, Quentin Dupieux is re-teaming with actress Adèle Exarchopoulos for L’Avant-dernière...

Interview: Léa Drucker – Last Summer (L’été dernier)

She was pulled from obscurity (or non-retirement since her last feature was 2013's Abuse of Weakness) when Saïd Ben Saïd optioned the rights to...

The Vourdalak | Review

Love in the Blood: Beau Resurrects Russian Vampire Clan in Eccentric Genre Throwback Chuck Palahniuk wrote it best, referencing an ‘old saying’ in his 1996...

Laying Brick: Robin Campillo to Shoot “Enzo” this Month

The passing of the torch was confirmed around Cannes, and rather than what might have been an August shoot, Les Films de Pierre producer...

The Most Precious Of Cargoes | 2024 Cannes Film Festival Review

The Zone of Disinterest: Hazanavicius Reanimates the Holocaust in Moral Fable What’s most interesting about director Michel Hazanavicius are his valiant attempts at dabbling in...

L’amour Ouf (Beating Hearts) | 2024 Cannes Film Festival Review

Thief of Hearts: Lellouche’s Sprawling Romance Has Arrhythmia A common occurrence for actors moonlighting as directors is not knowing how to hone a focus, crafting...

Miséricorde | 2024 Cannes Film Festival Review

Kiss Me or Kill Me: Guiraudie Stirs a Sinister Solace in the Backwoods Alain Guiraudie returns to the ruinous climes of rural malcontentedness with his...

La Pampa (Block Pass) | 2024 Cannes Film Festival Review

Will You Be My Ride or Die?: Chevrollier Ramps Up the Chaos in Portrait of Sons & Missing Fathers Exploring themes of rebellion, shame, and...

The Story of Souleymane | 2024 Cannes Film Festival Review

Straightened Story: Lojkine’s Details Delivery App Woes to Application Process Lows Standing on fertile creative ground, Boris Lojkine once again explores the narratives of individuals...

Les Fantômes (Ghost Trail) | 2024 Cannes Film Festival Review

The Executioner's Song: Millet’s Stabbing Debut Looks at How Control Moves Beyond Borders If a Syrian doesn’t find himself in Syria does he still make...

Le Deuxième Acte (The Second Act) | 2024 Cannes Film Festival Review

The Art of Saying Nothing: Dupieux Deconstructs Cinema Had Luis Bunuel approached conveying the reality of cinema produced by artificial intelligence, there may have been...

La Bête (The Beast) | Review

In the Mood for Love & Death: Bonello Explores the Final Frontier of Emotional Intelligence Throughout the dizzying centuries-spanning odyssey of an unrequited love in...

Coup de chance | Review

Bad Luck Banging: Luck is a Fickle Mistress in Allen’s Amusing Gallic Debut For his fiftieth (and rumored to be last) film, Woody Allen’s French...

DogMan | Review

All Dogs Go to Heaven: Besson Gets Bombastic with Retro Pulp The suspension of disbelief required to enjoyably settle into Luc Besson’s latest film, DogMan,...

Black Tea | 2024 Berlin Intl. Film Festival Review

Spill the Tea: Sissako Flounders with Tepid Brew The level of ineptitude apparent in every regard of Black Tea, Abderrahmane Sissako’s first narrative feature in...

Foreign Tongue (Langue étrangère) | 2024 Berlin Intl. Film Festival Review

Tongues Untied: Love Lies Easy in Burger’s Cross Culture Coming of Age Drama There’s a lot going on in Claire Burger’s third film, Foreign Tongue...

My New Friends (Les gens d’à côté) | 2024 Berlin Intl. Film Festival Review

Your Friends & Neighbors: Téchiné Tries for Ethical Sentiments Now in his eighties, director André Téchiné continues his steady, perennial output with the humanist melodrama...

Hors du Temps (Suspended Time) | 2024 Berlin Intl. Film Festival Review

Time Regained: Assayas Agonizes in Pretentious Pandemic Reflection In what stands as evidence of a surprising lack of self-awareness, director Olivier Assayas reenacts a composite...

Direct to Video: Léa Seydoux & Co. Learn Their Lines for Quentin Dupieux’s “À notre beau métier”

After a 2023 where he gave us a double bill in Daaaaaali! (read review) and Yannick, Quentin Dupieux is still seeing double. The quartet...

Personal Services: Naomi Watts, Will Sharpe & Jamie Campbell Bower Among Players in “Emmanuelle”

Earlier this morning Audrey Diwan confirmed the recent news that Naomi Watts has a role in her highly anticipated Emmanuelle, but the French filmmaker...

Your Room or Mine?: Neon Books Flight with Audrey Diwan’s “Emmanuelle”

Yesterday we read the Neon folks were "circling" and that morphed into "buying" the North American rights to the highly anticipated third feature film...

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Being Maria | Review

Forever Noor: Palud’s Schneider Moves From Being a Passenger...

The Assessment | Review

The Parent Trap: Elizabeth Olsen Tries Not to Break...

Honey Bunch | 2025 Berlin Intl. Film Festival Review

Love Like This Before: Sims-Fewer & Mancinelli Examine the...

Interview: Philippe Lesage – Comme le feu (Who By Fire)

The adults in the room may be battling for...