The Satire Strikes Back: Dumont Claims His Own Multi-Verse
It’s sometimes difficult to predict what mode French auteur Bruno Dumont will be choosing for his...
This year marks the silver anniversary of French film producer David Thion, who made his debut with Emmanuel Mouret’s Laissons Lucie Faire! in 2000....
Murmur of the Heart: Serraille Conquers Indifference Through Sincerity
With her third feature, Ari, director Léonor Serraille confirms a clear pattern of interest in exploring...
After her break-out female empowerment portraits in the Cannes Un Certain Regard selected Papicha (2019) and Houria (2022), Franco-Algerian filmmaker Mounia Meddour is moving...
Quentin Dupieux had enlisted alumni Adèle Exarchopoulos and then add-ons Sandrine Kiberlain and Karim Leklou for L'Accident de piano (formerly L'Avant-dernière séance). As per...
Selected for TIFF's Platform section (Toronto's only competition section), French-born filmmaker Nora El Hourch pulled from some of her own narrative for her high...
The Sway of the Sword: Reality Bytes in Poggi/Vinel's Bleak Online/Offline Portrait
Caroline Poggi and Jonathan Vinel's sophomore feature outing pulses with the heartbeat of...
Production is officially underway on Alice Winocour's fifth feature film, Coutures aka Stitches, and the casting announcements keep getting bigger. Joining yesterday's reveal of...
Back in September we reported that French filmmaker Alice Winocour had begun pre-production on her fifth feature film and a major casting announcement has...
Risky Business: Audiard Surprises with Vibrant Genre Musical
Although it’s assembled from unlikely, even questionable sources, Jacques Audiard’s latest feature, Emilia Pérez, a genre...
She's coming off a career-best with Other People's Children (2022 Venice Film Festival selection) and recently was one of the scribes on Audrey Diwan's...
Good Golly, It’s Dali: Dupieux Dreams Surreal in Distinctive Biopic
It seems surrealism’s pioneer Salvador Dali is experiencing something of a culturally concentric resurgence as...
A recent casting notice reveals that French filmmaker Alice Winocour, whose last film Revoir Paris was selected for Directors' Fortnight in 2022, is in...
Father Knows Best: The Coulin Sisters Examine the Detrimental Ripples of Fascism
With their third feature, The Quiet Son, French directing duo Delphine and Muriel...
Teenage Wasteland: Boukherma Bros. Sprawl with Coming-of-Age Melodrama
French directing twins Ludovic & Zoran Boukherma swing hard with their fourth feature, And Their Children After...
Lyon Lies Bleeding: Mouret Explores L’amour Fou (Encore)
Even for those unfamiliar with the filmography of Emmanuel Mouret, his latest film, Three Friends will unequivocally...
Say My Name Say My Name: Rapin Conquers Hearts, Minds and VR HeadSets in Wonky Digital Dystopia Piece
After exploring themes of rebirth and reincarnation...
The Unhappy Hooker: Vernier Explores Ennui in Monaco
Interconnected drifters aligned with sex work once again provide the backbone for Virgil Vernier’s third feature 100,000,000,000,000...
Savory wine, blissful beaches, rugged topography, and an elusive Philippe Katerine who plays Jean-Philippe -- we've been keeping close tabs on what will be...
After collaborating with the other half of the Blue is the Warmest Color tandem, Quentin Dupieux is re-teaming with actress Adèle Exarchopoulos for L’Avant-dernière...
Love in the Blood: Beau Resurrects Russian Vampire Clan in Eccentric Genre Throwback
Chuck Palahniuk wrote it best, referencing an ‘old saying’ in his 1996...
The Zone of Disinterest: Hazanavicius Reanimates the Holocaust in Moral Fable
What’s most interesting about director Michel Hazanavicius are his valiant attempts at dabbling in...
Thief of Hearts: Lellouche’s Sprawling Romance Has Arrhythmia
A common occurrence for actors moonlighting as directors is not knowing how to hone a focus, crafting...
Kiss Me or Kill Me: Guiraudie Stirs a Sinister Solace in the Backwoods
Alain Guiraudie returns to the ruinous climes of rural malcontentedness with his...
Straightened Story: Lojkine’s Details Delivery App Woes to Application Process Lows
Standing on fertile creative ground, Boris Lojkine once again explores the narratives of individuals...
The Executioner's Song: Millet’s Stabbing Debut Looks at How Control Moves Beyond Borders
If a Syrian doesn’t find himself in Syria does he still make...
The Art of Saying Nothing: Dupieux Deconstructs Cinema
Had Luis Bunuel approached conveying the reality of cinema produced by artificial intelligence, there may have been...
In the Mood for Love & Death: Bonello Explores the Final Frontier of Emotional Intelligence
Throughout the dizzying centuries-spanning odyssey of an unrequited love in...
All Dogs Go to Heaven: Besson Gets Bombastic with Retro Pulp
The suspension of disbelief required to enjoyably settle into Luc Besson’s latest film, DogMan,...
Spill the Tea: Sissako Flounders with Tepid Brew
The level of ineptitude apparent in every regard of Black Tea, Abderrahmane Sissako’s first narrative feature in...
Your Friends & Neighbors: Téchiné Tries for Ethical Sentiments
Now in his eighties, director André Téchiné continues his steady, perennial output with the humanist melodrama...
Time Regained: Assayas Agonizes in Pretentious Pandemic Reflection
In what stands as evidence of a surprising lack of self-awareness, director Olivier Assayas reenacts a composite...
Earlier this morning Audrey Diwan confirmed the recent news that Naomi Watts has a role in her highly anticipated Emmanuelle, but the French filmmaker...
Yesterday we read the Neon folks were "circling" and that morphed into "buying" the North American rights to the highly anticipated third feature film...