Tag: top-stories
2026 Cannes Critics’ Panel: Day 6 – Cristian Mungiu’s ‘Fjord’
The Romanian master filmmaker Cristian Mungiu moves away from a backdrop he knows far too well to explore the family unit way further up...
The Unknown (L’Inconnue) | 2026 Cannes Film Festival Review
She Who Is Not: Harari Explores Existential Identity Issues in the Body Swap
“A woman, for me, must remain a woman,” stated Andrey Tarkovsky when...
2026 Cannes Critics’ Panel: Day 6 – Arthur Harari’s ‘The Unknown’
French director Arthur Harari might be best known as the co-writer of Anatomy of a Fall, but prior to that he saw 2013's Peine...
Hope | 2026 Cannes Film Festival Review
Monster Squad: Hong-jin Goes Full-Blown Extraterrestrial
For his fourth feature, South Korean director Na Hong-jin goes for breakneck, relentless mayhem in the curiously titled Hope....
Strawberries (La más dulce) | 2026 Cannes Film Festival Review
Fruit on the Vine: Marrakchi Harvests Bitter Justice
“We give our bodies. All that for peanuts,” is an anguished remonstrance from the protagonist in Strawberries,...
Another Day (Garance) | 2026 Cannes Film Festival Review
Rosé is the Warmest Color: Herry Explores a Liver of No Return
In several ways, Jeanne Herry’s latest socially conscious drama Garance (unfortunately outfitted with...
Moulin | 2026 Cannes Film Festival Review
Elevator the Gallows: Nemes Aims to Exhaust in Homage to the French Resistance
Jean-Pierre Melville’s classic account of the French Resistance, Army of Shadows (1969)...
2026 Cannes Critics’ Panel: Day 5 – Na Hong-jin’s ‘Hope’
Another first time filmmaker to the competition but no stranger to Cannes, South Korean filmmaker Na Hong-jin has showcased 2008's The Chaser (Midnight Screening),...
The Station | 2026 Cannes Film Festival Review
No Man’s Land: Women Wage Resistance in Ishaq’s Wartime Debut
Yemenis director Sara Ishaq approaches an examination of life during wartime in her native country...
2026 Cannes Critics’ Panel: Day 5- Jeanne Herry’s ‘Garance’
Among the least known filmmakers in the comp, the cinema of Jeanne Herry usually focuses on themes of care, custody and institutional responsibility, emotional...
2026 Cannes Critics’ Panel: Day 5 – László Nemes’ ‘Moulin’
Four films in and his second trip to the Cannes competition section, Hungarian filmmaker László Nemes began his career by winning the Grand Prix...
2026 Cannes Critics’ Panel: Day 4 – James Gray’s ‘Paper Tiger’
The last minute addition to the competition line-up (we imagine it was the pending Neon deal) James Gray is no stranger to the competition...
Paper Tiger | 2026 Cannes Film Festival Review
In the Forests of the Night: Gray Frames Fearful Symmetry
Had James Gray been prolific during the glory days of New Hollywood from the late...
2026 Cannes Critics’ Panel: Day 4 – Rodrigo Sorogoyen’s ‘The Beloved’
In a cinema that has worked with themes of escalating moral and psychological pressures, corruption of institutions and personal ethics, with a dash of...
The Beloved (El ser querido) | 2026 Cannes Film Festival Review
What’s Love Got to Do with It?: Sorogoyen Visualizes Dysfunction & Creative Catharsis
Although it’s a familiar trope, an absent father utilizing a complex ruse...
2026 Cannes Critics’ Panel: Day 4 – Hirokazu Kore-eda’s ‘Sheep in the Box’
The VIP jacket wearing Hirokazu Kore-eda is one of Cannes' most regular presences, with seven films selected over the years and one Palme d'Or...
Sheep in the Box | 2026 Cannes Film Festival Review
I’m a Cyborg, But That’s OK: Koreeda Explores Cruise Control with AI
Somehow, despite being set in the ‘not too distant future,’ Hirokzau Kore-eda’s twee...
Forever Your Maternal Animal | 2026 Cannes Film Festival Review
Only Mothers Left Alive: Maurel Funnels Dysfunctional Family Matters
You can't go home again and it’s a disaster to even try, especially as evidenced in...
Flesh and Fuel (Du Fioul dans les artères) | 2026 Cannes Film Festival Review
Paradise by the Dashboard Lights: Le Gall Finds Love in a Hopeless Place
A self-described ‘wayward photographer’ influenced by Henri Cartier-Bresson, French writer/director Pierre Le...
Shana | 2026 Cannes Film Festival Review
Happy-Go-Mucky: Pinell Finds Purpose with a Woman in Transition
“No one ever wanted her forever,” is a partial description of the titular character in Gail...
2026 Cannes Critics’ Panel: Day 3 – Marie Kreutzer’s ‘Gentle Monster’
From Austria, Marie Kreutzer breaks into the Palme d'Or competition for a very first time after having competed in the Un Certain Regard section...
Gentle Monster | 2026 Cannes Film Festival Review
The Children’s Hour: Kreutzer Poses Provocative Dilemmas
The complex trappings of denial are at the heart of Gentle Monster, the latest from Austrian director Marie...
All of a Sudden | 2026 Cannes Film Festival Review
Of Human Bondage: Hamaguchi Highlights Humanity in Quiet Drama
In the midst of what ends up being a transformative month for the principal players in...
2026 Cannes Critics’ Panel: Day 3 – Ryusuke Hamaguchi’s All of a Sudden
The second Japanese filmmaker to premiere in the competition this year, Ryusuke Hamaguchi doesn't have an extensive Cannes history with only Asako I &...
Parallel Tales (Histoires parallèles) | 2026 Cannes Film Festival Review
The Double Life of the Voyeurist: Farhadi Fails with Out of Touch Drama
Initially, it would seem Asghar Farhadi’s decision to present a contemporary world...
Fatherland | 2026 Cannes Film Festival Review
Every Mann for Themselves: Pawlikowski Remains Chilly with Cold War Permafrost
Two iconoclastic German writers are locked in a spiritual duel for relevance at the...
2026 Cannes Critics’ Panel: Day 2 – Asghar Farhadi’s ‘Parallel Tales’
After gaining international recognition with Berlinale entries in Silver Bear for Best Director About Elly (2009) and Golden Bear winning (plus Oscar winning) A...
2026 Cannes Critics’ Panel: Day 2 – Paweł Pawlikowski’s ‘Fatherland’
Post My Summer of Love (2004) and The Woman in the Fifth (2011), it's with his fourth feature where Paweł Pawlikowski become someone to...
Teenage Sex and Death at Camp Miasma | 2026 Cannes Film Festival Review
The Story of O: Schoenbrun Approaches the Horrific Desire Inside Us All
The inextricable union of victim, victimizer, and witness becomes a metatextual balancing act...
2026 Cannes Critics’ Panel: Day 1 – Charline Bourgeois-Tacquet’s ‘A Woman’s Life’
With her sophomore feature, Charline Bourgeois-Tacquet made her first trip up the red carpet steps today as one of the several competition first-timers. Sshe...
2026 Cannes Critics’ Panel: Day 1 – Koji Fukada’s ‘Nagi Notes’
Koji Fukada emerged as one of the major voices of contemporary Japanese cinema through intimate dramas examining social alienation, fractured families and emotional repression...
A Woman’s Life (La Vie d’une femme) | 2026 Cannes Film Festival Review
Things to Come: Bourgeois-Tacquet Explores an Affair to Remember
Crimes of the heart are afoot once more in Charline Bourgeois-Tacquet’s A Woman’s Life (La Vie d'une...
Nagi Notes | 2026 Cannes Film Festival Review
Only the Lonely: Fukada Explores Constructions of Identity
Japanese auteur Kôji Fukada often favors narratives wherein tenuous but comfortable rhythms are suddenly upended by a...
You BETcha!: Lukas Dhont’s ‘Coward’, ‘Fjord’ & ‘Minotaur’ are Top Contenders for the Palme d’Or
We’re two for two. After nailing both Sundance’s top winner and the Golden Bear with our YouBETcha! predictions, we now turn to the Palme...
Live From Cannes!!! Meet the Jury For Our 2026 Cannes Critics’ Panel
Since 2011, IONCINEMA.com has kept its finger firmly on the pulse of the Palme d’Or competition. We first dove into the waters back when...
Butterfly Jam | 2026 Cannes Film Festival Review
For a Few Delens More: Balagov Congeals in the Garden State
Kantemir Balagov brings his native Nalchik to New Jersey with his English language debut...
La Vénus électrique (The Electric Kiss) | 2026 Cannes Film Festival Review
The Liar of Your Desire: Salvadori Sputters with Low Voltage Rom Com
To some, love might indeed mean never having to say you’re sorry, but...
Exclusive Clip: Two Lanes Two Trucks in Pierre Le Gall’s ‘Flesh and Fuel’ – 2026 Cannes
Nabbing one of only four non-competition slots in this year's Critics' Week selections, French filmmaker Pierre Le Gall will be making his second trip...
Exclusive Clip: Emergency Fun(d) in Valentina Maurel’s ‘Forever Your Maternal Animal – 2026 Cannes
With her body of work, Franco-Costa Rican filmmaker Valentina Maurel has explored adolescence, female desire, social alienation and fractured family dynamics through a raw,...
Exclusive Trailer: Inserting Your Tongue into Bruno Santamaría Razo’s ‘Six Months in a Pink and Blue Building’ – 2026 Cannes
Lightning strikes twice today - earlier we premiered the poster one sheet, and now we have the full trailer to Bruno Santamaría Razo’s Six...
2026 Cannes Exclusive: Poster One-Sheet for Bruno Santamaría Razo’s ‘Six Months in a Pink and Blue Building’ (Critics’ Week)
Among the seven films (six debuts) we find in this year's Critics' Week competition line-up we find Six Months in a Pink and Blue...
Silent Friend | Review
Allegory of the Tree: Enyedi’s Masterful Meditation on Human Progress
The metaphorical subtexts germinating to fruition through Ildikó Enyedi’s Silent Friend are formidable, even as,...
Paris Maris: Rooney Mara Tests Maternal Instincts in Antonia Campbell-Hughes’ ‘Quest for Love’
With her sophomore feature High End (formerly known by the far alluring title Diamond Shitter) currently in post-production, Antonia Campbell-Hughes is already preparing to...
Privileged Pranked: Papadimitropoulos Sets Charlotte Gainsbourg & Edgar Ramirez for “Oh, How Fun!”
Edgar Ramirez, Charlotte Gainsbourg, Annabelle Wallis, Lena Headey, Angeliki Papoulia, Makis Papadimitriou, Spyros Dadanides are among the players who'll be found in the satirical...
38 Londres Street: Sebastian Stan Confirmed, Ana de Armas, Alfredo Castro & Antonia Zegers Added to Gálvez’s ‘Impunity’
As we inch closer to Cannes, we are learning the film package identities to the ten Investors Circle Initiative and among the hottest items...
2026 Cannes Film Festival Exclusive: Poster One-Sheet for Federico Luis’ Para los contrincantes (Palme d’Or Short Comp)
Making his third trip to the Croisette, Argentina filmmaker Federico Luis follows up his 2019 Palme d'Or competition short La Siesta (The Nap) and...
IONCINEPHILE of the Month: Lucia Aleñar Iglesias (Forastera)
IONCINEMA.com’s IONCINEPHILE of the Month highlights an emerging talent in cinema. This month, we spotlight Spanish filmmaker Lucia Aleñar Iglesias, whose directorial debut, Forastera,...
Only the Lonely: Ulrich Seidl Travels to Dark Tourism Places with ‘Distances’
The folks art Cineuropa are giving us a major update on the next feature by master filmmaker Ulrich Seidl. Most recently in casting mode,...
