The Man Who Snubbed Women: Pariser Performs a Patriarchal Audit
There’s something that feels a bit ‘too little, too late’ in Nicolas Pariser’s latest film...
Destroy Everything You Touch: Abraham & Szor Explore the Cogs of the Palestinian Genocide
Investigative journalists and documentarians Rachel Szor and Yuval Abraham follow up...
The Shrill Seekers: De Angelis Turns to Comedic Caricature
For his latest venture, The Fire Within You, Edoardo De Angelis seems to be employing the...
A HR Manager Never Cries: Brize Takes on Executive Hypocrisy
When he’s not exploring intimate relationship melodramas, French director Stéphane Brizé has been one of...
Darkness Visible: Khrzhanovsky Reformulates Saga of Shattered Scientists
If ex-Attorney General and fascist sentinel Pam Bondi was ever credited as uttering anything worth repeating, it...
Let the White One In: Affleck Can’t Satisfy the Hunger
Like many actors who doggedly pursue a parallel career as film directors, Casey Affleck manages...
Atlas Dug: Zeller Teases the Comedy of Obligation
It’s become increasingly clear celebrated writer Florian Zeller has a difficult time killing his darlings when it...
Among the directorial debuts loading up this year’s Discovery programme at this year's Toronto Intl. Film Festival we find the boldly titled Head to...
The Devil is a Woman: Strippoli Concocts an Elegant Parent Trap
As far as horrific moral fables about Catholic guilt and resisting temptation go, director...
Broken Heart Art: Kore-eda Builds Bittersweet Elegy to Friendship
Art is both the impetus for destruction and creation in Hirokazu Kore-eda’s latest, Look Back, a...
Magnificent Obsession: Di Marco & Picoli Patrol the Poison of Perfection
Our conditioned notions regarding beauty standards maintains our insidious and unhealthy fixation with obtaining...
The Blindness of Strangers: Dorabialski Stings the Storyteller
“In the end, we’ll all become stories,” per Margaret Atwood, a sentiment which is ultimately at the...
The Penile Code: el-Toukhy Explores the Gendered Paradox of Liberation
Something is certainly rotten in the state of Denmark following the country’s liberation from Nazi...
An Affair to Disremember: Pallaoro Explores the Unbearable Bleakness of Being
Love is hardly a many-splendored thing in The Echo Chamber, the fourth feature directed...
The Child Inside: Lenz Explores the Virtues of Violence
For his narrative feature debut Oasis, Jannis Lenz channels contemporary intergenerational neglect and the inherent apathy...
Blue is the Warmest Collar: Chang-dong Prepares a Touch of Class
Boiled down to its core essence, Possible Love, the first feature from South Korean...
The Birds, the Bees and the (Displaced) Italians: Moretti Tries Amour For
In the latter half of his career, revered Italian director Nanni Moretti has...
The Catcher in the Sty: Oppenheim Skewers Hack Journalist
It’s perhaps fortuitous for Lance Oppenheim’s narrative debut Primetime, which charts the brief but meteoric run...
Even Cowgirls Gets the Clues: Sirot/Balboni Rewrite the Past...in the Future
Belgium tandem Ann Sirot and Raphaël Balboni take the machinery of the western —...
How Awful About Allen: Tsukamoto Continues Charting Casualties of War
“Ain’t war hell?,” asks the door gunner to Matthew Modine’s protagonist in Stanley Kubrick’s Full...
Teenage Wasteland: Kahn Gets Clinical with Familiar Procedural
Picture this: A bustling medical ward in a top performing French facility with specialized treatment protocols where...
If You Build It, They Won't Come: Yanghu Offers Alternate Version to Home Improvement
Working through migration, isolation and the complicated meaning of home, Auguste...
The violence of Colombia’s past has been repackaged as entertainment, commerce and everyday life, but it hasn't disappeared. Violence that lingers beneath the surface....
They Shoot Agents, Don’t They?: McDonagh Morosely Reflects a Pernicious Empire
Americans can’t quite seem to directly engage with their ills of the present by...
Sisters Doing It For Themselves: Herzog Returns with Theater of the Bizarre
Until quite recently, it was a foregone conclusion legendary director Werner Herzog would...
Working with themes of migration, loneliness, abandonment and the need for connection, among the feature debuts programmed in this year's Orizzonti competition line-up we...
Last week we learned that Antoneta Alamat Kusijanovic was finally moving onto her next project landing a series scheduled for next year, however, if...
Telefilm Canada have put some sizeable coin towards a quartet of projects and among them we find Humanist Vampire Seeking Consenting Suicidal Person filmmaker...
Canada submits Berlinale winner Nina Roza by Geneviève Dulude-de Celles, Chile submits Un Certain Regard selected The Meltdown (to be launched by Kino Lorber),...
Invisible Missiles: Blaževičius Offers Chilly Portrayal of a Couple & Country in Crisis
Given its title, Andrius Blaževičius’ third outing, How to Divorce During the...
Here Comes the Train Again: Sang-ho’s Live Action Debut Heavy on Tropes
Zombie contagion sweeps over South Korea while a random band of survivors struggle...
The Story of O: Schoenbrun Approaches the Horrific Desire Inside Us All
The inextricable union of victim, victimizer, and witness becomes a metatextual balancing act...
Last year, the Midnight Madness section received one heck of a thumbs up with Obsession landing a massive distribution deal. This edition, programmer Peter...
Leaning heavily on world premieres, TIFF's 2026 Short Cuts programme welcomes back familiar names such as Yung Chang, Shaunak Sen and Zarrar Kahn while...