Phantom Limb: Panahi Treads Ripples of Retribution
Jafar Panahi continues to poke the bear with It Was Just an Accident, his latest being another film...
From the Land of Ice and Snow: Cocina & Leon Pursue Hermetical Cinematic Spell
To say the latest feature from the experimentally inclined Chilean directing...
The Power of Goodbye: Messina Gets Maudlin with Future Grief
The devil’s unfortunately absent in the details of Another End, a conceptual science fiction melodrama...
One Sings, the Other Doesn’t: Hermanus Plays a Tune for the Broken Hearted
“Happiness doesn’t tell stories,” is a sage observation uttered in The History...
Love on the Brain: Haugerud Caps Trilogy with Teenage Wasteland
With his latest film Dreams (Sex Love) (aka Drømmer), the final installment in his thematic...
Karma Police: Misery Loves Company in Shangjun’s Dreary Love Story
If love means never having to say you’re sorry, they never experienced the magnitude of...
Allegory of the Tree: Enyedi’s Masterful Meditation on Human Progress
The metaphorical subtexts germinating to fruition through Ildikó Enyedi’s Silent Friend are formidable, even as,...
Memories of Murder: Di Costanzo Treads Criminal Motives
The impetus behind Elisa, the latest from Italian director Leonardo Di Costanzo is pregnant with intrigue, examining...
Road to Perdition: Pablos Charts a Brutal Journey to Redemption
Solidifying himself as the queer counterpart to Michel Franco, David Pablos' On the Road features...
Distress Becomes Her: Marcello Delivers a Diva’s Final Act
For many, Duse, the latest feature from Italian director Pietro Marcello, will serve as their introduction...
In a Child’s Name: Ben Hania’s Grueling Portrait of Genocide
It’s the responsibility of artists to use their platforms as a mechanism to speak truth...
Anatomy of a Mime: Ozon Explores the Seduction of Indifference
Decades before Hannah Arendt introduced her concept of ‘the banality of evil,’ Albert Camus...
Shake It Up: Fastvold Envisions the Life’s Work of a Religious Leader
There’s a fervor roiling beneath the surface of Mona Fastvold’s third feature, The...
A Demon in My View: Koussim Unleashes a Djinn
A generation spanning possession is at the heart of Roqia, the directorial debut from Algerian director...
The Russians Are Killing the Russians Are Killing: Assayas Bungles Political Espionage
Of the many significant issues severely hobbling The Wizard of the Kremlin, the...
No Man is an Island: Aris Explores Childhood, Couplehood and Parenthood with Flip Book Speeds
Lebanese filmmaker Cyril Aris utilizes the three distinct yet related...
The Female of the Species: Kalogiropoulou Hits the Gas in Brooding Debut
How, exactly, does a powerful woman command the patriarchy? It turns out, only...
Closely Watched Strain: Perretta Reflects Traumatic Coming-of-Age
There’s a bleak fatalism apparent in Ish, the directorial debut of visual artist Imran Perretta, named for its...
Slay the Competition: Chan-wook Explores the Horrors of Capitalism
In many ways, Donald Westlake’s 1997 novel The Ax feels more relevant than ever, which is...
No Child Left Behind: Mincan Explores a Nation That Stood in Silence
Perhaps more terrifying than the high-seas stowaway trip from hell (2022’s To the North),...
Declaration of Poor: Donzelli’s Tone Deaf Survey of a Starving Artist
Despite honorable intentions, it’s difficult not to perceive Valérie Donzelli’s latest feature, At Work...
When Will They Ever Learn?: Lanthimos Turns to Eco-Horror
Yorgos Lanthimos embarks on his first remake with Bugonia, a loose adaptation of the 2003 Korean...
I Will Be Your Father Figure: Nemes Paints Period Paternity Thriller
Hungarian director László Nemes essentially rounds out a thematic trilogy with his third film...
A Penance for Your Thoughts: Nvotová Jumps into Void without Societal Parachutes
For her third feature, Father (Otec), Slovak filmmaker Tereza Nvotová delivers a psychologically immersive portrait...
Death Be Not Loud: Deruas Kills a Teen Dream in Languid Period Piece
With her sophomore directorial feature Stereo Girls, Caroline Deruas Peano continues down...
The Long Goodbye: Sorrentino Returns to Familiar Remembrances of Things Past
Paolo Sorrentino reunites with his onscreen alter ego Toni Servillo in La Grazia for...
Slack Narcissus: Mitevska Conjures the Psyche of a Saint
There are a handful of contemporary historical figures whose accomplishments have superseded cultural critique thanks to...
The Interest of Distance: Yeo Discovers the Masochistic Pleasures of a Surveillance State
“Strange feeling that someone is looking at me. I am clear, then...
Time Regained: Assayas Agonizes in Pretentious Pandemic Reflection
In what stands as evidence of a surprising lack of self-awareness, director Olivier Assayas reenacts a composite...
Right Sketch, Wrong Skit: Sangsoo Scans Patterns in Bittersweet Interludes
Perspectives of regret and the uncertain odyssey of retrospection emphasize the undertones of perennial auteur...
Straightened Story: Lojkine’s Details Delivery App Woes to Application Process Lows
Standing on fertile creative ground, Boris Lojkine once again explores the narratives of individuals...
There’s a Ghost in Me: Zurcher Explores the Necessity of Destruction
Amidst all the existential dread in Franz Kafka’s body of work, silver linings abound,...
Sheep, Sheep, Sheep: Tsangari’s Monotonous Treatise on Modernization
Adapted from a novel by Jim Croce, Harvest is Greek auteur Athina Rachel Tsangari's third feature narrative,...
Winterbottom Cranks Yet Out Another One, This Time A Forgettable Thriller With No Bite
Michael Winterbottom never stops. For over three decades, the filmmaker has...
Dry Spell: Bareiša Explores Trauma in the Abstract
Repetitive patterns once again provide the narrative parameters reinforcing oblique happenings for Lithuanian director Laurynas Bareiša in...
Teenage Wasteland: Riedinger’s Debut a Familiar Coming-of-Age Parade
All that glitters isn’t gold, but social media success can break the mould. At least that’s the...
They Kill Horse Riders, Don’t They?: Ortega Puzzles with Deadpan Metaphors
Nothing is what it appears to be in Argentinean Luis Ortega’s latest film Kill...
The Eternal Daughter: Lenkiewicz Ladles the Milk of Sorrows
Screenwriter Rebecca Lenkiewicz makes her directorial debut with Hot Milk, an adaptation of Deborah Levy’s comically...
Sit & Deliver: Lighton Assumes Positions in Titillating Debut
There’s a melancholic seductiveness to Pillion, the directorial debut of Harry Lighton, based on the 2020...
The Executioner's Song: Millet’s Stabbing Debut Looks at How Control Moves Beyond Borders
If a Syrian doesn’t find himself in Syria does he still make...
Bonjour Tristesse: The Dardenne Bros. Explore Teenage Pregnancy
In their latest neo-realist exercise on plights of the disenfranchised, the Dardenne Bros. return to gentler themes...