Tag: World Cinema review

Alpha | Review

Turn to Stone: Ducournau Hits a Wall with Disease Allegory “Death is the cure for all illness,” wrote English writer Thomas Browne, which is a...

It Was Just an Accident | Review

Phantom Limb: Panahi Treads Ripples of Retribution Jafar Panahi continues to poke the bear with It Was Just an Accident, his latest being another film...

Ballad of a Small Player | Review

Out Of Luck: Colin Farrell Can’t Save This Tale Of A Gambler Gone Bust Is Edward Berger hard of hearing? That might be the first...

The Hyperboreans | Review

From the Land of Ice and Snow: Cocina & Leon Pursue Hermetical Cinematic Spell To say the latest feature from the experimentally inclined Chilean directing...

The Ice Tower (La Tour de Glace) | Review

Hearts of Glass: Hadžihalilović Casts a Wintry Spell A chilly scene of winter unfolds in La Tour de Glace (The Ice Tower) at a glacial...

Another End | Review

The Power of Goodbye: Messina Gets Maudlin with Future Grief The devil’s unfortunately absent in the details of Another End, a conceptual science fiction melodrama...

The History of Sound | Review

One Sings, the Other Doesn’t: Hermanus Plays a Tune for the Broken Hearted “Happiness doesn’t tell stories,” is a sage observation uttered in The History...

The Fence (Le Cri des Gardes) | 2025 Toronto Intl. Film Festival Review

Cri du cœur: Denis Delivers A Boiling Colonial Drama Dripping With Sexual Tension A border is simply a line on a map. A fence is...

Dreams (Sex Love) | Review

Love on the Brain: Haugerud Caps Trilogy with Teenage Wasteland With his latest film Dreams (Sex Love) (aka Drømmer), the final installment in his thematic...

The Sun Rises On Us All | 2025 Venice Film Festival Review

Karma Police: Misery Loves Company in Shangjun’s Dreary Love Story If love means never having to say you’re sorry, they never experienced the magnitude of...

Silent Friend | 2025 Venice Film Festival Review

Allegory of the Tree: Enyedi’s Masterful Meditation on Human Progress The metaphorical subtexts germinating to fruition through Ildikó Enyedi’s Silent Friend are formidable, even as,...

Elisa | 2025 Venice Film Festival Review

Memories of Murder: Di Costanzo Treads Criminal Motives The impetus behind Elisa, the latest from Italian director Leonardo Di Costanzo is pregnant with intrigue, examining...

On the Road | 2025 Venice Film Festival Review

Road to Perdition: Pablos Charts a Brutal Journey to Redemption Solidifying himself as the queer counterpart to Michel Franco, David Pablos' On the Road features...

Girl (Nühai) | 2025 Venice Film Festival Review

This Girl’s Life: Qi Outlines Inherited Abuses For her directorial debut Girl, actress Shu Qi wields a heavy hand in a film which seems to...

Duse | 2025 Venice Film Festival Review

Distress Becomes Her: Marcello Delivers a Diva’s Final Act For many, Duse, the latest feature from Italian director Pietro Marcello, will serve as their introduction...

The Voice of Hind Rajab | 2025 Venice Film Festival Review

In a Child’s Name: Ben Hania’s Grueling Portrait of Genocide It’s the responsibility of artists to use their platforms as a mechanism to speak truth...

L’étranger (The Stranger) | 2025 Venice Film Festival Review

Anatomy of a Mime: Ozon Explores the Seduction of Indifference Decades before Hannah Arendt introduced her concept of ‘the banality of evil,’ Albert Camus...

Straight Circle | 2025 Venice Film Festival Review

Circle in the Sand: Hudson Blurs the Borders of the Mind “Nationalism is a silly cock crowing on its own dunghill,” wrote English writer Richard...

The Testament of Ann Lee | 2025 Venice Film Festival Review

Shake It Up: Fastvold Envisions the Life’s Work of a Religious Leader There’s a fervor roiling beneath the surface of Mona Fastvold’s third feature, The...

Roqia | 2025 Venice Film Festival Review

A Demon in My View: Koussim Unleashes a Djinn A generation spanning possession is at the heart of Roqia, the directorial debut from Algerian director...

The Wizard of the Kremlin | 2025 Venice Film Festival Review

The Russians Are Killing the Russians Are Killing: Assayas Bungles Political Espionage Of the many significant issues severely hobbling The Wizard of the Kremlin, the...

A Sad and Beautiful World | 2025 Venice Film Festival Review

No Man is an Island: Aris Explores Childhood, Couplehood and Parenthood with Flip Book Speeds Lebanese filmmaker Cyril Aris utilizes the three distinct yet related...

Gorgonà | 2025 Venice Film Festival Review

The Female of the Species: Kalogiropoulou Hits the Gas in Brooding Debut How, exactly, does a powerful woman command the patriarchy? It turns out, only...

Ish | 2025 Venice Film Festival Review

Closely Watched Strain: Perretta Reflects Traumatic Coming-of-Age There’s a bleak fatalism apparent in Ish, the directorial debut of visual artist Imran Perretta, named for its...

No Other Choice | 2025 Venice Film Festival Review

Slay the Competition: Chan-wook Explores the Horrors of Capitalism In many ways, Donald Westlake’s 1997 novel The Ax feels more relevant than ever, which is...

Milk Teeth | 2025 Venice Film Festival Review

No Child Left Behind: Mincan Explores a Nation That Stood in Silence Perhaps more terrifying than the high-seas stowaway trip from hell (2022’s To the North),...

À pied d’oeuvre (At Work) | 2025 Venice Film Festival Review

Declaration of Poor: Donzelli’s Tone Deaf Survey of a Starving Artist Despite honorable intentions, it’s difficult not to perceive Valérie Donzelli’s latest feature, At Work...

Bugonia | 2025 Venice Film Festival Review

When Will They Ever Learn?: Lanthimos Turns to Eco-Horror Yorgos Lanthimos embarks on his first remake with Bugonia, a loose adaptation of the 2003 Korean...

Orphan | 2025 Venice Film Festival Review

I Will Be Your Father Figure: Nemes Paints Period Paternity Thriller Hungarian director László Nemes essentially rounds out a thematic trilogy with his third film...

Father (Otec) | 2025 Venice Film Festival Review

A Penance for Your Thoughts: Nvotová Jumps into Void without Societal Parachutes For her third feature, Father (Otec), Slovak filmmaker Tereza Nvotová delivers a psychologically immersive portrait...

Stereo Girls (Les Immortelles) | 2025 Venice Film Festival Review

Death Be Not Loud: Deruas Kills a Teen Dream in Languid Period Piece With her sophomore directorial feature Stereo Girls, Caroline Deruas Peano continues down...

La grazia | 2025 Venice Film Festival Review

The Long Goodbye: Sorrentino Returns to Familiar Remembrances of Things Past Paolo Sorrentino reunites with his onscreen alter ego Toni Servillo in La Grazia for...

Mother | 2025 Venice Film Festival Review

Slack Narcissus: Mitevska Conjures the Psyche of a Saint There are a handful of contemporary historical figures whose accomplishments have superseded cultural critique thanks to...

Stranger Eyes | Review

The Interest of Distance: Yeo Discovers the Masochistic Pleasures of a Surveillance State “Strange feeling that someone is looking at me. I am clear, then...

Motel Destino | Review

Destiny Indemnity: Ainouz Retrofits a Noir Classic “Love, when you get fear in it, it’s not love any more, it’s hate,” wrote James M. Cain...

Suspended Time (Hors du Temps) | Review

Time Regained: Assayas Agonizes in Pretentious Pandemic Reflection In what stands as evidence of a surprising lack of self-awareness, director Olivier Assayas reenacts a composite...

By the Stream | Review

Right Sketch, Wrong Skit: Sangsoo Scans Patterns in Bittersweet Interludes Perspectives of regret and the uncertain odyssey of retrospection emphasize the undertones of perennial auteur...

Souleymane’s Story | Review

Straightened Story: Lojkine’s Details Delivery App Woes to Application Process Lows Standing on fertile creative ground, Boris Lojkine once again explores the narratives of individuals...

The Sparrow in the Chimney | Review

There’s a Ghost in Me: Zurcher Explores the Necessity of Destruction Amidst all the existential dread in Franz Kafka’s body of work, silver linings abound,...

Harvest | Review

Sheep, Sheep, Sheep: Tsangari’s Monotonous Treatise on Modernization Adapted from a novel by Jim Croce, Harvest is Greek auteur Athina Rachel Tsangari's third feature narrative,...

Shosana | Review

Winterbottom Cranks Yet Out Another One, This Time A Forgettable Thriller With No Bite Michael Winterbottom never stops. For over three decades, the filmmaker has...

Drowning Dry | Review

Dry Spell: Bareiša Explores Trauma in the Abstract Repetitive patterns once again provide the narrative parameters reinforcing oblique happenings for Lithuanian director Laurynas Bareiša in...

Wild Diamond (Diamant Brut) | Review

Teenage Wasteland: Riedinger’s Debut a Familiar Coming-of-Age Parade All that glitters isn’t gold, but social media success can break the mould. At least that’s the...

Kill the Jockey | Review

They Kill Horse Riders, Don’t They?: Ortega Puzzles with Deadpan Metaphors Nothing is what it appears to be in Argentinean Luis Ortega’s latest film Kill...

Hot Milk | Review

The Eternal Daughter: Lenkiewicz Ladles the Milk of Sorrows Screenwriter Rebecca Lenkiewicz makes her directorial debut with Hot Milk, an adaptation of Deborah Levy’s comically...

Pillion | 2025 Cannes Film Festival Review

Sit & Deliver: Lighton Assumes Positions in Titillating Debut There’s a melancholic seductiveness to Pillion, the directorial debut of Harry Lighton, based on the 2020...

Ghost Trail | Review

The Executioner's Song: Millet’s Stabbing Debut Looks at How Control Moves Beyond Borders If a Syrian doesn’t find himself in Syria does he still make...

Jeunes mères (Young Mothers) | 2025 Cannes Film Festival Review

Bonjour Tristesse: The Dardenne Bros. Explore Teenage Pregnancy In their latest neo-realist exercise on plights of the disenfranchised, the Dardenne Bros. return to gentler themes...

Resurrection | 2025 Cannes Film Festival Review

In Dreams: Gan Explores a Century of the Cinematic Syndrome We are such stuff as dreams (and celluloid) are made on, according to the sumptuous...

Woman and Child | 2025 Cannes Film Festival Review

All the Regime Allows: Roustaee Finds a Woman Scorned If there were ever an equivalent to the Hollywood ‘woman’s film’ genre in Iranian cinema it...

Popular

Alpha | Review

Turn to Stone: Ducournau Hits a Wall with Disease...

Frankenstein | Review

The Seat of the Soul: Del Toro Takes Aim...

Lens Crafters: Marie Rosselet-Ruiz Filming ‘L’une des leurs’ with Céleste Brunnquell

A small independent film project we'll keeping tabs on,...