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Green Border | Review

The Good Pole: Holland’s Humanitarian Drama a Steady Drizzle of Misery Porn The difference between an exploitation vs. a social issue film can sometimes be...

2024 Eurimages: Tarik Saleh, Hafsia Herzi, Joachim Trier, Carla Simon & Amanda Kernell Land Coin

The results of the first Eurimages Project Evaluation Session of 2024 have been unveiled and among the batch of European-based filmmakers to receive some...

2023 European Film Awards: The Zone of Interest, Fallen Leaves & Anatomy of a Fall Grab Most Noms

The European Film Academy revealed the nominees for the main categories of the 36th European Film Awards and while Radu Jude's Do Not Expect Too...

2023 Marrakech Intl. Film Festival: Linklater’s Hit Man, Franco’s Memory, El Moudir’s The Mother of All Lies

As predicted, the 20th edition of the Marrakech Intl. Film Festival (November 24th to December 2nd) will highlight what was a solid year in...

Catch Twenty-2?: Jasmila Zbanic Embarks on “Quo Vadis, Aida: The Missing Piece”

Tucked away in German coin trade news (via the Screen Daily folks) we find a bunch of big filmmaker names receiving funds for their...

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April | Review

2025 Cannes Film Festival: In Alice Rohrwacher We Trust – La Chimera Director is Caméra d’or Jury of One

Italian filmmaker Alice Rohrwacher might be the most caffeinated...

The Shrouds | Review

Death Be Not Shroud: Cronenberg Hits Dead Ends in...

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