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2026 Oscars: Is It a Panahi’s ‘It Was Just an Accident’ vs. Ben Hania’s ‘The Voice of Hind Rajab’ Duel?

With the October 1st deadline fast approaching, the field for the Academy Award's Best International Feature Film is narrowing. Only a few key contenders...

Orphan | 2025 Venice Film Festival Review

I Will Be Your Father Figure: Nemes Paints Period Paternity Thriller Hungarian director László Nemes essentially rounds out a thematic trilogy with his third film...

2025 TIFF: World Premieres Include Gavras’ ”Sacrifice’, Michôd’s ‘Christy’, Vanderbilt’s ‘Nuremberg’ & Winocour’s ‘Couture’

The Toronto International Film Festival have unveiled the heavy-hitters populating their Gala and Special Presentations sections making what sounds like an alluring line-up for...

Independent Spirit Awards 2025: “Anora” Lands 3 Including Best Feature, “A Real Pain” & “Dìdi” Double-Up

The Indie Spirit Awards is that weird event that most commonly overlaps with the bigger film award show gala (aka the Academy Awards) and...

Green Border | Review

The Good Pole: Holland’s Humanitarian Drama a Steady Drizzle of Misery Porn The difference between an exploitation vs. a social issue film can sometimes be...

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Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

Interview: Sandra Wollner – Everytime | 2026 Cannes Film Festival

One of the discoveries of this year's Cannes Film...

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