Search results for: Andrew Lau

Long story short I got in touch with him through this really circuitous route. We started talking. I started calling him every day. Then I kinda just showed up at his house. I was like “We’re going to make a movie, I’m going to write for Rolling Stone.” – I had never written for Rolling Stone before.

We wanted to be very precise in how we shot the suspense scenes, but we also wanted the film to feel lose and natural. Finding that balance was one of our biggest challenges and I'm really proud of the approach that Andrew Reed, our director of photography, and I arrived at.

Among some of the noteworthy items on the 2006 Black List that received the least number of votes (or wasn't read by enough prod co. insiders) we find Martin McDonagh's In Bruges which received 7 votes and picking up a pair of votes we have: Lewis Colick's The Fighter which I imagine is the same project as the one that is receiving it's Oscar bid release next week --- it has gone through many rewrites and writers. We also have the first screenplay version for Life of Pi which was penned by Jean-Pierre Jeunet & Guillame Laurent, Peter Morgan's Frost/Nixon which I imagine not many folks had the chance to read and Ron Harwood's Diving Bell & The Butterfly.

Let me toot my own horn a bit. Of the 16 selected films out of 1,102 submissions, I accurately predicted 12. Out of the four that didn't fly on my radar we find American New Wave 25 selected Sean Durkin, who will make it back to back years in Park City. He featured the marvelous, creepy Mary Last Seen there, and would start lensing Martha Marcy May Marlene in the summer...but my thinking was he was Cannes-bound with this one...he may still be, but Sundance is world preem launching pad for the pic.

Next week, the Sundance Film Festival will release about 100+ titles that are the make up of their upcoming edition and this can only mean one thing: this past week was the official nail-biting, living next to the phone type of deal for several first time filmmakers.