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Elle | Review

Losing Her Religion: Verhoeven Directs a Fearless Huppert in Provocative Psychological Thriller Arriving with a knotty snarl of perverse commentary, Dutch auteur Paul Verhoeven proves...

The Childhood of a Leader | Review

The Children Are Watching Us: Corbet’s Chilling Directorial Debut Contemplates Familial Fascism Potent psychological complexity often feels compromised in favor of establishing easy to...

The Conversation: A Cannes Opener… 2017 Cannes Film Festival Predictions

And as we await the unveiling of the Venice Film’s Festival’s 2016 program, we look ahead to what may be in store for the...

Live from Cannes 2016: Introducing Our Cannes Critics’ Panel

And we're off to the races. The 69th edition of the Cannes film festival begins today and so does our Croisette gallop poll otherwise know as our annual...

IONCINEPHILE of the Month: Matt Sobel’s Top Ten Films of All Time List

Have you ever wondered what are the films that inspire the next generation of visionary filmmakers? As part of our monthly IONCINEPHILE profile, we...

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Interview: Lucía Aleñar Iglesias, Zoe Stein & Agnès Pique Corbera – Forastera (2025)

Long before Bergman’s Persona undertook its psychological and existential...

Interview: Mounia Akl – Hold Me (If You Want) (Work in Progress)

Exploring the intimate intersections of family, memory, and social...

ARTE France Cinéma Backs Charlotte Le Bon, Philippe Lesage, Kateryna Gornostai & Diana Cam Van Nguyen

The ARTE France Cinéma committee have thrown some pre-Holiday...

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