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2025 Cannes Critics’ Panel: Day 6 – Kleber Mendonça Filho’s ‘The Secret Agent’

A favorite filmmaker of the festival, and perhaps the best Brazilian filmmaker currently working, Kleber Mendonça Filho has been to Cannes on many occasions....

La Danse des Renards (Wild Foxes) | 2025 Cannes Film Festival Review

Fox on the Run: Carnoy Explores Bruised Masculinity Following the incestuous liaison of Catherine Breillat’s Last Summer (2023), Samuel Kircher (son of Irene Jacob) braces...

Kika | 2025 Cannes Film Festival Review

Belle de Jour: Mourning Becomes Sex Work in Poukine’s Debut There’s arguably a slippery slope at work in Alexe Poukine’s narrative debut Kika, a far...

Leave One Day (Partir un Jour) | 2025 Cannes Film Festival Review

Chef’s Kiss: Bonnin Uses Familiar Recipe in Pleasant Debut For her directorial debut, Partir un Jour (Leave One Day), based on her own 2021 Cesar...

2025 Directors’ Fortnight: 57th Edition is Book-ended by Campillo’s ‘Enzo’ & Eva Victor’s Sundance Hit ‘Sorry, Baby’

German filmmaker Christian Petzold has finally been invited to Cannes - it took the Directors' Fortnight programmers to roll out their red carpet. Starring...

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Team Sport: Suzanne Lindon Places Pierfrancesco Favino in Thorny Situation in ‘L’Équipe’

With Gustave Kervern's Voilà, c'est fini and Guillaume Nicloux's...

Her Private Hell | Review

What Have They Done to Your Daughters?: Refn Returns...

Sheep in the Box | Review

I’m a Cyborg, But That’s OK: Koreeda Explores Cruise...

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