Now that all bets are off on Terrence Malick showing up on the Lido, and Wong Kar-wai's The Grand Master appears to be on the same no-show list (the fest have announced that Andrew Lau's The Legend of the Fist: The Return of Chen Zhen has their second opening night flick celebrating the anniversary of Bruce Lee’s 70th birthday).
As a result of a bizarre 2009 production year, TIFF is the happy recipient of some premium titles which include the world premieres to some of my most anticipated films this year in: Mike Mill's Beginners, John Cameron Mitchell's Rabbit Hole, Mark Romanek's Never Let Me Go, Andrucha Waddington's Lope and Rowan Joffe's Brighton Rock. Then we have titles that are coming from this year's Sundance, Cannes or both (Blue Valentine picks up the trifecta honor) and then we have titles that come to us from out of nowhere with Michael Winterbottom's The Trip and Richard Ayoade's debut film, Submarine.
Here's this morning's press conference where Toronto Int. Film Festival co-directors Cameron Bailey & Piers Handling introduced the majority of the titles that will make up this year's stellar Gala and Special Presentations section.
I don't think the title of head programmer for any festival is an easy job, but I'd argue that Marco Müller has it "easy" this year. With so many of the world's best auteurs having not been ready to deliver at the Cannes deadline, the 67th edition of the Venice Film Festival (which will run 1st to 11th September 2010) is going to be loaded in premium titles. With many items having already been mentioned and speculated on before, here is an updated predictions list with a good helping of new names.
Cannes announced 16 films in the Main Competition today and the Un Certain Regard is perhaps complete but could fit two more titles in, but as expected, Terrence Malick's film is still in limbo. Apart from that frustrating example, there are about three to five available slots in the Main Comp and some hefty titles that are missing in action. I've compiled a list below, but worth mentioning are blatant omissions such as Julian Schnabel's Miral, Kornel Mundruczo's Frankenstein Project, Ken Loach's Route Irish and perhaps even Bruce Robinson's The Rum Diary.