Search results for: Yorgos Lanthimos

I'm not sure what the cutoff date is for from the individual countries for the Foreign Language Film nominations, but Sony Pictures Classics are glad to see Canada select Denis Villeneuve's Incendies. The company now has three horses in the race and once again, places the distributor in a pretty good position to grab the most of the spots in the final five nominations.

Knowing Quentin Tarantino's appreciation for films that are "out there": if I had to do some really early predictions here, I'd say that the Gold and Silver Lion front-runners are in Alex De La Iglesia's bizarro fantasy film A Sad Trumpet Ballad, Pablo Larrain's Post Mortem or Athina Rachel Tsangari's Attenberg (a filmmaker we recently profiled in our American New Wave 25 series - she spent more than a decade in Austin's film scene). I'd also add put Abdellatif Kechiche's Black Venus high up on any awards list, especially the Lido - it's a film I've been pegging for Venice since the film went into production.

Infusing last year's Cannes with such unique films as Greece's Dogtooth, Henri-Georges Clouzot's Inferno and the biking in the birthday suit comedy The Misfortunates, the all encompassing heavyweight French unit MK2 is on one of those odd winning streaks – managing to find/rep films that are celebrated at not only the major heavyweight film fests, but the “second tier” noteworthy fests as well – such as the Rotterdams and the Locarnos of this world we brought about Alamar (To the Sea) and Nothing Personal.

The October 1st deadline for all countries wanting into the Academy Award's foreign-language film category has come and gone, but you wouldn't know it since no official list of films submitted has been published.

Canada's most avant-garde film festival have released their entire slate for their 38th edition. Apart from Lee Daniel's pegged for Oscar - Precious, Lone Scherfig's An Education, Lars von Trier's Antichrist and Pedro Almodóvar's Broken Embraces (Los abrasos rotos), this year's edition is filled to the gills with obscure titles and names that even a hardcore connoisseur of world cinema such as myself is unfamiliar with.