If there is a positive repercussion from Greece's crumbling economy, it might have paved the way for a new kind of auteur cinema. If 2009, I can think of nothing more unique of an experience than Yorgos Lanthimos' Dogtooth, and my early impression with Tsangari's sophomore picture, which receives its world premiere in the Main Competition category in Venice in less than 48 hours from now, is that this will only strengthen the argument that social, political and economic shifts can make for some unique examples of art.
You might be surprised to learn that, one of the producers on Yorgos Lanthimos' sophomore, Un Certain Regard-winning feature, was a NYU grad and part of the emerging indie scene in Austin. While obtaining her MFA in film production at the University of Texas, Greek born Athina Rachel Tsangari was a full fledged Austinite who co-founded and was the artistic director of the Cinematexas International Short Film Festival...
I can vouch for a trio of Cannes titles that I have seen in the awesomely disturbing Yorgos Lanthimos' Dogtooth, Mia Hansen-Løve's delicate Le Père de mes Enfants and Cristian Mungiu and co.'s humor-filled look at communism in native Romania in Tales from the Golden Age.
This year Mk2 bring Greek director Yorgos Lanthimos's Dog tooth and Mathias Gokalp's Nothing Personal in the sidebars and they have Abdellatif Kechiche's next (Black Venus) in production (the director gave us brilliant The Secret of the Grain in 2007/08) and they also have Patrice Chereau's long awaited film – Persecution starring names like Romain Duris and Charlotte Gainsbourg.