Tag: Naama Preis

YES | Review

Break My Soul: Lapid Explores Compromised Artistry During Wartime Essentially, YES, the latest film from Israeli auteur Nadav Lapid, is a portrait of an artist...

2025 Cannes: Directors’ Fortnight Section Say Oui to Nadav Lapid’s ‘Yes’

Israeli filmmaker Nadav Lapid was tipped as a last minute entry for the Palme d'Or competition but that didn't pan out and Directors' Fortnight...

Ahed’s Knee | Review

Kneedful Things: Lapid Highlights Complex Conflicts in Indignant Screech The entirety of Ahed’s Knee, the fourth film from Israel’s Nadav Lapid, is formatted to aggravate...

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2026 Cannes Critics’ Panel: Day 9 – Javier Ambrossi & Javier Calvo’s ‘The Black Ball’

Virtual unknowns in non-Spanish speaking markets, Javier Ambrossi and...

2026 Cannes Critics’ Panel: Day 8 – Ira Sachs’ ‘The Man I Love’

He has been owning Sundance since he premiered 1996...

2026 Cannes Critics’ Panel: Day 8 – Emmanuel Marre’s ‘Notre Salut’

A relative newcomer to cinema with only the co-directed...

The Man I Love | 2026 Cannes Film Festival Review

It is Seldom That a Dream Comes True: Sachs...