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Exclusive Clip: Terror's Advocate

Posted by Eric Lavallee on Oct 12, 2007
Source: IONCINEMA.com Exclusive
You'll never hear a first-grader claim he/she wants to be a lawyer when they grow up - but there are some determining factors in a youngsters' life that may push them towards the trade. In this case, a young Jacques Vergès, perhaps involuntarily found out early on in life his reason for being. This is a captivating, talking heads doc about a fascinating individual - agree to disagree or hate the man. What he does is almost noble. A suivre.... 

Today, Magnolia Pictures releases a documentary film that explores one man's mindset and life's work. Via the sophisticated hand of Barbet Schroeder, this Cannes-selected, Un Certain Regard, French production aims at giving viewers everything but an easy, open and shut portrait.

Today, IONCINEMA.com brings you an exclusive clip (early contacts with Mao) from Terror's Advocate - to view it skip on over the film's synopsis below.

This is about Jacques Vergès, the highly controversial French lawyer, war veteran, revolutionary agitator and intellectual popularly known as 'The Devil’s Advocate' and reviled as such by his critics for his persistent defence of what many perceive as the indefensible. If a Hollywood scriptwriter had invented Jacques Vergès, he might be open to charges of over-romanticising his hero. Perhaps Vergès should be viewed as an anti-hero because he is a difficult man to like. Many abhor him. Any honest, balanced film about Maître Vergès is bound to be as controversial and provocative as the man himself. For all his charm and urbanity, Vergès represents a doorway to some very dark places indeed. For more than half-a-century, he has consorted with some of the most infamous figures of the post-WW2 era, including Pol Pot, Mao Tse Tung, Slobodan Milosevic, Saddam Hussein, Carlos the Jackal, Klaus Barbie and other despots, tyrants, mass-murderers, torturers and terrorists of one political hue or another. Some were his clients, others his friends. As a criminal lawyer, Vergès is quite forthcoming about his general motivations. “Evil fascinates me,” he has said, “the more a man is accused the more interested I am.” Vergès contends that crime, or criminality, is what separates men from beasts. He professes great empathy for the world’s “accused”. Who is Jacques Vergès? Moral conscience… or dark shadow? A manipulative, self-promoting, unscrupulous, amoral exploiter of misery as his critics claim, or a sensitive, empathetic defender of human dignity, even when the right to that dignity is claimed by individuals who have denied it to their victims?



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Reviews

Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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