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Boston Society of Film Critics: No Country for Old Men wins Best Pic

Posted by Eric Lavallee on Dec 10, 2007
Source: Variety
The first among a slew of critic associations, societies and circles, the Boston Society of Film Critics awarded home town fav. Gone Baby Gone with a pair of wins, but the real tussle in many categories (we should be seeing similar results in other cities) is between the American film classic favorite No Country for Old Men and art-house, Euro-like The Diving Bell and the Butterfly. Frank Langella picks up est actor and thus receiving more kudos for his perf in Starting Out in the Evening while Marion Cotillard will be part of a two-way race for Oscar (against Julie Christie's Away From Her). Best documentary film goes to Dan Klores' Crazy Love and Pixar's summer film release will be a lock for Best animation this year. Here is the complete list of winners below:...

Best Picture: No Country For Old Men

 Best Actor: Frank Langella for Starting Out in the Evening

  Best Actress: Marion Cotillard for La Vie en Rose

Best Supporting Actor: Javier Bardem for No Country for Old Men

Best Supporting Actress: Amy Ryan for Gone Baby Gone

 Best Director: Julian Schnabel for The Diving Bell and the Butterfly

 Best Screenplay: Brad Bird for Ratatouille

 

Best Cinematography: Janusz Kaminski for The Diving Bell and the Butterfly

 Best Documentary: Crazy Love

 

 Best Foreign-Language Film: The Diving Bell and the Butterfly

 

 Best New Filmmaker: Ben Affleck for Gone Baby Gone 


 Best Ensemble Cast: Before the Devil Knows You’re Dead

 

 



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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