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Midway Point: Top 10 Most Anticipated Films of 2009: #8. Fantastic Mr. Fox

Posted by Eric Lavallee on Jul 09, 2009
Source: IONCINEMA.com Feature

#8. Fantastic Mr. Fox

Director: Wes Anderson
Writer(s): Anderson and Noah Baumbach
Producers: Anderson, Allison Abbate and Scott Rudin
Distributor: 20th Century Fox...or perhaps Fox Searchlight?

The Gist: The book tells the story about a fox, simply named Mr. Fox. At night, he steals animals from the farms of Bunce, Boggis, and Bean, three mean farmers, to feed his family with. The farmers are fed up with this, and try everything to kill him. They surround the hill he lives in with men armed with guns. After three days of starving, Mr.Fox and his children dig a tunnel to Boggis' chicken house number one, and steal a few chickens. They also raid Bunce's storehouse and Bean's underground cellar of apple cider. They invite everyone to a feast made from the loot and decide never to go above ground anymore.

Fact: Anderson and Noah Baumbach also co-wrote The Life Aquatic With Steve Zissou (2004). The film was also the first time Anderson used stop animation - only remember the 'Jaguar shark'?

Why is it on the list?: I'm looking forward in seeing how Anderson manages to infuse his style in a stop animated film and how he works from a very specific source (Roald Dahl). His dream cast of usual suspects (Bill Murray, Owen Wilson, Jason Schwartzman and Anjelica Huston) and grade A talent in George Clooney, Meryl Streep and Willem Dafoe assure the highest pedigree.

Release Date/Status?: Oddly, this opens in the U.K three weeks before the U.S release of November 13th. Major film festival appearance not a must, but if there is one it will likely be Venice.

 


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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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