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Reichardt 'Cutoff' From Cannes? Kazan Expects Oregon Trail Period Film in 2011

Posted by Eric Lavallee on Mar 19, 2010
Source: The Playlist

Will one of our most anticipated films for 2010 calender year, end up being pushed back to 2011? If you go by what Zoe Kazan is saying (she's on the junket tour for Bradley Rust Gray's The Exploding Girl), it would appear so. ThePlaylist, god love them for digging and piecing together kernels of information on the webs, found out some rather disappointing news...despite having completed filming late last year, Kelly Reichardt's Meek's Cutoff isn't likely to premiere in Cannes (I was expecting to) but if my math skills are up to par and we remain optimistic, my thinking is that she'll most likely be finished editing time for Venice & Toronto. Kelly if you happen to read this, let me know where to send the cases of energy drinks.

Zoe Kazan Paul Dano

Starring Michelle Williams (Wendy & Lucy), Kazan and her boyfriend actor Paul Dano (who recently starred in Gray's wife's (So Young Kim) For Ellen, this is set in 1845, the earliest days of the Oregon Trail, where a wagon team of three families has hired the mountain man Stephen Meek to guide them over the Cascade Mountains. Claiming to know a short cut, Meek leads the group on an unmarked path across the high plain desert, only to become lost in the dry rock and sage. Over the coming days, the emigrants must face the scourges of hunger, thirst, and their own lack of faith in each other's instincts for survival. When a Native American wanderer crosses their path, the emigrants are torn between their trust in a guide who has proven himself unreliable and a man who has always been seen as the natural enemy.

Reichardt is reportedly working on a Western themed project after this is completed, I'm sure she picked up some survivals from having filmed a 1845 set piece in the desert.



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Review: The Kid With a Bike

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"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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