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Sony Pictures Classics Part of Charles Ferguson's 'Inside Job'

Posted by Eric Lavallee on Apr 18, 2010
Source: Sony Pictures Classics

Days after being announced as part of Cannes' Special Screening selections (mostly a mix of documentary films), now comes the press release announcement that Sony Pictures Classics have been an integral part of the production to Charles Ferguson latest documentary. Titled Inside Job, Ferguson who tackled the much-maligned U.S foreign policy in No End in Sight, takes a closer look at what brought about the financial meltdown with Matt Damon narrating. Here's the official synopsis we've been waiting for: 

INSIDE JOB is the first film to provide a comprehensive analysis of the global financial crisis of 2008, which at a cost over $20 trillion, caused millions of people to lose their jobs and homes in the worst recession since the Great Depression, and nearly resulted in a global financial collapse. Through exhaustive research and extensive interviews with key financial insiders, politicians, journalists, and academics, the film traces the rise of a rogue industry which has corrupted politics, regulation, and academia. It was made on location in the United States, Iceland, England, France, Singapore, and China.

A former tech guy who parlayed developing stuff for the net to becoming a full-fledged docu filmmaker, we interviewed Ferguson at the time he was doing the media rounds for No End in Sight. At the time, the filmmaker had a couple of other ideas in the works, but this one sort of just fell on his laps and he then pitched it to SPC who helped produce the film. Unless the airline situation remains the same, we'll be covering the film at Cannes next month.



Comments

  • user icon

    Posted by Test on 2010-04-18 at 20:33:49

    Doc fNA

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Review: The Kid With a Bike

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"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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