00 - 00 : 00 : 00

Banner

Film Listings

Wed May 30, 2012

Fri Jun 01, 2012

Fri Jun 08, 2012

Wed Jun 13, 2012

Fri Jun 15, 2012

Wed Jun 20, 2012

Fri Jun 22, 2012

Wed Jun 27, 2012

Fri Jun 29, 2012

Tue Jul 03, 2012

Fri Jul 06, 2012

Wed Jul 11, 2012

Fri Jul 13, 2012

Fri Jul 20, 2012

Wed Jul 25, 2012

Fri Jul 27, 2012

Fri Aug 03, 2012

Fri Aug 10, 2012

Wed Aug 15, 2012

Fri Aug 17, 2012

Wed Aug 22, 2012

Fri Aug 24, 2012

Fri Aug 31, 2012

Fri Sep 07, 2012

Fri Sep 14, 2012

Fri Sep 21, 2012

Fri Sep 28, 2012

Fri Oct 05, 2012

Fri Oct 12, 2012

Fri Oct 19, 2012

Fri Oct 26, 2012

Fri Nov 02, 2012

Fri Nov 09, 2012

Fri Nov 16, 2012

Wed Nov 21, 2012

Fri Dec 14, 2012

Sat Dec 15, 2012

Wed Dec 19, 2012

Fri Dec 21, 2012

more listings



Music Box Films Plans to Kick 'Hermano' into Theaters in 2011

Posted by Eric Lavallee on Dec 20, 2010
Source: Screen Daily

Foreign film specialists Music Box Films have grabbed the rights to Marcel Rasquin's directorial debut - a sport-themed drama where the two exits for a better life are either making the team or joining another "sort" of team. Considering that the field is rather strong this year, Brother (Hermano) -- this year's Venezuelan submission for the Foreign Language Oscar, does appear to be a long-shot for a shortlist nomination.

Gist: Written by Rohan Jones and Rasquin, in the most dangerous place in the world, two brothers dream of salvation, by kicking goals out of there. On this pitch, life is on the line.

Worth Noting: The film was accepted in what we considered the second tier of the top film festivals on the circuit (top 20 to 40 range) Moscow Film Festival, Shanghai Film Festival, Warsaw Film Festival and São Paulo International Film Festivals.

Do We Care?: A slightly different format than Carlos Cuarón's Rudo y Cursi, by the looks of the trailer, I wouldn't necessarily say no to.   



Comments

ADD A COMMENT

You must be logged in to add a comment
Banner

Reviews

Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


more reviews

Interviews

main feature right

Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


right column more interviews

Festivals

festival link more

Community Film Ratings

community link more