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2011 Cannes Critics’ Panel: Day 8 – Lars Von Trier’s Melancholia

The film about the end of the world paralleled with the emancipation from one’s own depression as portrayed from the film’s central character (Kirsten Dunst in a Best Actress for the festival worthy performance) is actually pretty tame by von Trier standards.

The film about the end of the world paralleled with the emancipation from one’s own depression as portrayed from the film’s central character (Kirsten Dunst in a Best Actress for the festival worthy performance) is actually pretty tame by von Trier standards. I don’t know where his sense of humor or need for provocation comes from, but the Hitler talk, Susanne Bier bashing, Kirsten Dunst’s beaver mentions, his future porn movie talk and his newly acquired tattoo at the animated press conference didn’t hinder the viewing experience for our critics. Melancholia was extremely welled received and might just be the festival topper according to our critics’ panel (see here). Also, we got more grades for Kawase’s poetic, guess who the third wheel tale of adultery is being appreciated on some levels. Only six more competition titles to go folks!

Cannes Critics' Panel 2011

 

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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