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Key Players in the 2011 Cannes Market: Inferno Ent.

Posted by Eric Lavallee on May 13, 2011
Source: -

You can brand them as peddlers of Brad Pitt, as U.S based Inferno Entertainment have got some highly anticipated titles in their sales line-up and one matches Pitt with Andrew Dominik in Cogan's Trade (they worked together on Jesse James) and James Gray should be rolling out the cameras one of these days for The Lost City of Z with Pitt attached in the lead. Joe Carnahan's The Grey is on the map as well.

KILLER ELITE by Gary MCKENDRY - Post-Production
THE GREY by Joe CARNAHAN - Post-Production
COGAN'S TRADE by Andrew DOMINIK - Post-Production
THE ENTITLED by Aaron WOODLEY - Completed
ARABIAN NIGHTS by Chuck RUSSELL - Pre-Production
CANE TOADS: THE CONQUEST by Mark LEWIS - Completed
FIVE STAR DAY by Danny BUDAY - Completed
HACHIKO: A DOG'S STORY by Lasse HALLSTRÖM - Completed
HAPPY TEARS by Mitchell LICHTENSTEIN - Completed
HOW TO MAKE LOVE LIKE AN ENGLISHMAN - Pre-Production
KING OF FIGHTERS by Gordon CHAN - Completed
MESKADA - Completed
MONOGAMY by Dana Adam SHAPIRO - Completed
RACING DREAMS by Marshall CURRY - Completed
SPIN by Henry PINCUS - Completed
SPY VS STU by Howie DEUTCH - Pre-Production
TENURE by Mike MILLION - Completed
THE EXPERIMENT by Paul T. SCHEURING - Completed
THE FEATHER MEN by Gary MCKENDRY - Pre-Production
THE KIDS ARE ALL RIGHT by Lisa CHOLODENKO - Completed
THE LAZARUS PROJECT by John GLENN - Completed
THE LOST CITY OF Z by James GRAY - Pre-Production
THE SERPENT AND THE SUN by Shaahin CHEYENE - Completed
THE YEAR OF GETTING TO KNOW US by Patrick SISAM - Completed
TOMORROW WHEN THE WAR BEGAN by Stuart BEATTIE - Completed
WHAT'S WRONG WITH VIRGINIA by Dustin LANCE BLACK - Completed



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Reviews

Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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Review: Wrong

"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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