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Key Players in the 2011 Cannes Market: Kinology

In addition to the pair of films that were accepted into the Cannes film festival (The Prodigies and Days of Grace), they have Sylvie Testud, Juan Solanas, Quentin Dupieux items in the works. French sales outfit Kinology have got a solid 2012 ahead of them.

In addition to the pair of films that were accepted into the Cannes film festival (The Prodigies and Days of Grace), they have Sylvie Testud, Juan Solanas, Quentin Dupieux items in the works. French sales outfit Kinology have got a solid 2012 ahead of them.

COSMOPOLIS by David CRONENBERG – Pre-Production
HIS MOTHER’S EYES (LES YEUX DE SA MERE) by Thierry KLIFA – Completed
THE PRODIGIES (LA NUIT DES ENFANTS ROIS) by Antoine CHARREYRON – Completed
AT GINO’S (CHEZ GINO) by Samuel BENCHETRIT – Completed
DAYS OF GRACE (DIAS DE GRACIA) by Everardo GOUT – Completed
DE FORCE by Frank HENRY – Post-Production
DUBAI FLAMINGOS by Delphine KREUTER – Completed
EMERGO by Carles TORRENS – Post-Production
MON PERE EST FEMME DE MENAGE by Saphia AZZEDDINE – Completed
REBELLION (L’ORDRE ET LA MORALE) by Mathieu KASSOVITZ – Completed
SMALL WORLD (JE N’AI RIEN OUBLIÉ) by Bruno CHICHE – Completed
THE ART OF LOVE (L’ART D’AIMER) by Emmanuel MOURET – Completed
THE LIFE OF ANOTHER (LA VIE D’UNE AUTRE) by Sylvie TESTUD – Production
UPSIDE DOWN by Juan SOLANAS – Post-Production
WRONG by Quentin DUPIEUX – Production

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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