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Renner and Wasikowska Get Wet on Luca Guadagnino's 'A Bigger Splash'

Posted by Eric Lavallee on Aug 19, 2011
Source: The Tracking Board

I Am Love has opened some huge doors for Italian helmer Luca Guadagnino. Currently keepoing busy with docu films Inconscio italiano (showing at Venice this month) and Bertolucci on Bertolucci (docu due out next year), he has been developing Auntie Mame and Corsica 72 as his potential feature film projects - but now it's a remake of Jacques Deray's “The Swimming Pool" - the 1969 pic starring Alain Delon, Romy Schneider and a very young Jane Birkin that looks to be his next. TTB report that Jeremy Renner and Mia Wasikowska are currently attached, while Noomi Rapace might be another candidate to fill out the screen foursome in A Bigger Splash. Look for this to be high up on our most anticipated list if production begins this year.

Gist: This follows Marianne and Paul (Renner), a pair of American lovers are vacationing near St.-Tropez when Marianne invites Harry, a former lover, and Penelope (Wasikowska), his young daughter to visit. While Marianne is sleeping with Harry, Paul seduces Penelope, and horrific consequences are inevitable.

Worth Noting: Along with Guadagnino, Wasikowska has lined up work with auteurs such as Jim Jarmusch, John Hillcoat, and Park Chan-wook.

Do We Care?: While Wasikowska cast as a lolita and Renner as the American who has gone to far sounds pleasing, we're more elated about the insertion of a crime element, the sexual explorations of what Guadagnino tackled in Melissa P. and of course, his aesthetic, we believe that if anyone can get triage rom drama correct its the abled hands of the helmer behind I Am Love

 



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Review: The Kid With a Bike

Review: The Kid With a Bike

"Despite the one-dimensionality of its anti-patriarchal theme (appeasing the knee-jerk expectations of European film fest audiences), the Dardennes avoid cheapening the story with ideological smugness, achieving an emotional resonance without easy sentimentality."


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"Encoded in the outlandish humor that pervades the film are bits of commentary on everyday life. The most overt is Dupieux's urging to appreciate the relationships around you, which is manifested in the dog kidnapping, but also in a subplot in which a woman from the pizzeria moves between men without even realizing they have changed. Another cultural critique is found in the rainy office, an instantly recognizable visual metaphor for how dreary a 9 to 5 job can be."


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