"Subject matter combined with a fly-on-the-wall vantage point makes this one of the few films where voyeurism feels like being a spirit drifting between rooms, observing patients awaiting death. It’s like Emily Dickinson’s version of Enter the Void (2009), and perhaps you’ll think of her words about death and how he kindly stops for us, as we gaze out the back of an ambulance carrying away a corpse, while the desolate trees fly by in the sky and we fade to black."
"For reasons of both film reflection and historic preservation, Granito: How to Nail a Dictator is a revelatory film and one that will certainly leave a weighty impression on its viewers."