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IFC Have Affair with Sang-soo’s The Housemaid

A Cannes Film Festival import has been picked up by IFC – and it isn’t Biutiful. Im Sang-soo’s The Housemaid – a pic that surprisingly played in the Main Competition to lukewarm responses has been picked up for a theatrical release, perhaps pegged for sometime next year, but definitely poised to be at the Toronto Int. Film Festival.

A Cannes Film Festival import has been picked up by IFC – and it isn’t Biutiful. Im Sang-soo’s The Housemaid – a pic that surprisingly played in the Main Competition to lukewarm responses has been picked up for a theatrical release, perhaps pegged for sometime next year, but definitely poised to be at the Toronto Int. Film Festival.

This tells the story of Eun-yi, a middle-aged divorcee forced through circumstance to takes a position as a housemaid with an upper class family. It is not long before her master, Hoon, takes advantage of his social position by sharing her bed. When Eun-yi becomes pregnant and her secret is discovered by the family, she is compelled to have an abortion. Her forced termination turns Eun-yi’s already fragile mental condition for the worse and she decides to take matters into her own hands.

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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