Amanda Yam

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Exclusive articles:

The Wolfpack | Review

Voyeuristic & Bizarre: A Look Into a Litter of Brothers and Their World of Movies As an exemplar of the term “stranger than fiction”, The Wolfpack’s...

The Reconstruction of William Zero | Review

Less Than Zero: Bush's Blend is a Well-intended but Exhaustive Piece Drama stimulated by an identity crisis set against a science fiction backdrop poses for...

The Visit | 2015 Sundance Film Festival Review

It’s a story that hasn’t happened yet. The Visit is advertised as a documentary but the label is rather limiting as it that dabbles...

Cloro | 2015 Sundance Film Festival Review

From Twirls to Breaststrokes: Sanfelice's Debut Retains Rhythm but Keeps Distance Utilizing the seldomly spotlighted sport of synchronized swimming as the backdrop, Cloro serves as...

Prophet’s Prey | 2015 Sundance Film Festival Review

False Prophet Illuminated by Berg and Former Prey Ironically premiering at Sundance, not too far from the lieu where the real life events occurred, Prophet’s Prey is...

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2025 Cannes Critics’ Panel: Day 5 – Lynne Ramsay’s Die My Love

A Cannes Film Festival regular, British filmmaker Lynne Ramsay...

Renoir | 2025 Cannes Film Festival Review

Family of Straw: Hayakawa Paints Busy Coming-of-Age Portrait Going in...

2025 Cannes Critics’ Panel: Day 5 – Richard Linklater’s ‘Nouvelle Vague’

This is Cannes Film Festival's third invite (second time...

Die My Love | 2025 Cannes Film Festival Review

Images of Yellow Wallpaper: Ramsay Charts a Psychotic Break For...
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