Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

TIFF 2010 Buyer’s Club: #6. Malcolm Venville’s Henry’s Crime

There's no flawed logic in Keanu Reeves taking a rom com lead. Yes, it's been done before and though rare, still appears to work. This will need a big boost at the fest for serious offers.

TIFF 2010 Buyer’s Club: #7. Rowan Joffe’s Brighton Rock

Stylish. British. Crime mixed with sex. Helen Mirren. Good looking young thesps in Sam Riley and Andrea Riseborough who will, or already have, broke out.

TIFF 2010 Buyer’s Club: #8. James Gunn’s SUPER

The market says that movies about backyard super-heros are dead, but awkward ensemble cast of Rainn Wilson, Ellen Page, Liv Tyler, Kevin Bacon and Nathan Fillion could certainly make this the breakout specialty item of the festival. It's certainly the most sought after item from the Midnight Madness section, but the film's tone and buzz coming out of TIFF will make or break the film.

TIFF 2010 Buyer’s Club: #9. Mike Mills’ Beginners

If we do the math: you've got cancer, plus senior coming out of the closest from the director who gave us Thumbsucker. If this dramedy packs an emotional wallop and McGregor brews up a magnifying performance, we could have something that gets mentioned during awards.

TIFF 2010 Buyer’s Club: #10. Richard J. Lewis’ Barney’s Version

Not only TIFF bound, but a Venice film fest entry as well, the trailer sells the comedy as a potent concoction -- the terrible twosome of Giamatti and Dustin Hoffman looks zany, offbeat authentically good. Could be a sleeper hit.

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