Eric Lavallée

There are still plenty of "to be announced" surprise films including Danny Boyle's 127 Hours that will be unveiled hours before they screen, but for the most part, this year's Telluride festival can claim the North American premiere status away from TIFF on a large number of Cannes items (this includes Michelangelo Frammartino's must see, still unsold, docu-essay Le Quattro Volte) and they can also claim first dibs on world preems for acquisition titles such as: Fernando Trueba and Javier Mariscal's Chico and Rita (see pic above), Justin Chadwick's audience tickler The First Grader, the Dmitry Vasyukov with Werner Herzog doc Happy People: A Year in the Tagia and Errol Morris' Tabloid.

Directly after the Sundance labs in June, Durkin got ready on his feature length film debut titled, Martha Marcy May Marlene. The make-up of the cast has been revealed, with Borderline entrusting the film's lead to Elizabeth Olsen and filling out the cast we find: indie vet John Hawkes (who shifts to Soderbergh's Contagion next), Sarah Paulson (mostly television work but also in The Spirit), Hugh Dancy (most recently from My Idiot Brother - which we'll see next year) and Brady Corbet.

Film Movement have made their second Cannes pick-up. Jury Prize winning A Screaming Man (receiving a release next April) is joined by Olivier Masset-Depasse's prize-winning Illegal - the only picture that has been selected for both premium European film festivals: Cannes (Director's Fortnight) and Venice (Venice Days) section.

Documentary specialist Icarus Films have grabbed the rights to Patricio Guzmán's latest - a Cannes preemed documentary film, that is heading to TIFF next week and will be set up with a 2011 theatrical release.

Cool It is heading to TIFF next week, and the producers behind Ondi Timoner's latest documentary film won't have to sign a deal in the wee small hours in the morning, as Roadside Attractions have preemptively grabbed the rights to the "eco-docu" and are setting it with an eventual Fall release.