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The Rules of Attraction Semi-Sequel
Author Bret Easton Ellis is currently promoting the release of Imperial bedrooms (which will surely be made into a film - almost all of his works have chosen the silverscreen route) - and one of his celeb characters from The Rules of Attraction and Glamorama in Victor Ward is making the rounds once again.
Apparition Clears Slate: Welcome to the Rileys Moves to Samuel Goldwyn
Twilight fans needs not worry: no Kristen Stewart films will be stuck in limbo. If the Bob Berney departure wasn't a worrisome sign of things to come, then perhaps Sony's decision to move Jake Scott's Welcome to the Riley's to Samuel Goldwyn Films for the theatrical handling of the drama this October is further evidence that not all things are going right at the shingle - or perhaps the 3.5 million box office haul of another Stewart title in The Runaways wasn't enough to satisfy the parent company.
Crowe Enlists Damon to Run the ‘Zoo’
Not exactly the first actor when you think of comedy, it's Matt Damon, and not the originally mentioned Ben Stiller who might be toplining Cameron Crowe's long waited return since 2005's Elizabethtown. THR is mentioning We Bought a Zoo in the same sentences the off-putting titles such as Marley & Me for its animal to humans quota and Jerry Maguire for the similitudes in giving up a career and throwing oneself into a future that is uncertain.
Sundance Institute Documentary Edit and Story Lab Fellows Headed to U.S., China, Israel-Palestinian Territories and the Philippines
The Sundance Institute have announced the Fellows for 2010 Documentary Edit and Story Lab - some of these projects will find themselves on the public television, some may tour the film festival circuit starting with a debut at Sundance, and in the rare case, might turn out to be an acclaimed such as Tia Lessin and Carl Deal's Trouble the Water. This year's batch comes from the U.S., China, Israel/Palestinian Territories and the Philippines.
Elephant Eye Locks Up Kim Chapiron’s ‘Dog Pound’
Elephant Eye Films - the distributor who grabbed the rights to The Maid (their sole release in 2009) and turned in a crazy profit of over half a million dollars at the specialty box office, will make the same concentrated effort with French filmmaker Kim Chapiron's Dog Pound - think Audiard's A Prophet but with teens.
