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2010 TIFF Bound: David Schwimmer’s ‘Trust’
One more slip, one more TIFF title revealed. Looks like David Schwimmer is headed to the Toronto red carpets again. Schwimmer first got the taste for directing feature films with the miserably off-kilter romp Run, Fat Boy, Run (which still managed to make Picturehouse a 6 million return) has switched up gears with a tale that tells the damaging effects an online sexual predator has on a family.
Vets Paul Morrissey, Isaac Julien, Monte Hellman and Pacino are among New Venice Film Fest Possibilities
While there are no mentions of Terrence Malick, Variety are confirming the obvious in Aronofsky's Black Swan, Reichardt's Meek's Cutoff, Corbijn's The American, Schnabel's Miral, Coppola's Somewhere, Kechiche's Black Venus, Ozon's Potiche, Tykwer's Three and Cordier's Happy Few all making it to the Lido this year, but they've added a couple more brow lifters that I'll delve into below.
American New Wave 25: Class of 2010
IONCINEMA.com's inaugural American New Wave 25 (Class of 2010) was a blast to unveil and we'd like to thank those who took a timeout from their busy schedules to provide us with, not only extra info relating to their filmography, but for allowing us to use their pics as well (e.g. Reed Moreno on the set of Elgin James' much anticipated Little Birds starring Juno Temple).
Huppert ‘Captured’ by Brillante Mendoza
Clearly Isabelle Huppert has a thing for Filipino filmmaker Brillante Mendoza. It was not so long ago (May of 2009 to pinpoint the year) where Huppert and her Cannes jury peers awarded Mendoza with the Best Director award for Kinatay (the pressed hissed at that selection) and now, she'll venture off to the Philippines, sometime next year, to star in a picture that will most likely be a brutal drama if we go by the title and the director's previous work.
IFC Have Affair with Sang-soo’s The Housemaid
A Cannes Film Festival import has been picked up by IFC - and it isn't Biutiful. Im Sang-soo's The Housemaid - a pic that surprisingly played in the Main Competition to lukewarm responses has been picked up for a theatrical release, perhaps pegged for sometime next year, but definitely poised to be at the Toronto Int. Film Festival.
