Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Cannes 2010: Top Ten Market Screening Titles Worth Noting

Buyers and sellers in the film world will be pitching their latest titles in various meet and greet formats --the Cannes Market offers a bazillion different movie options. Some screenings are hush hush discreet, some are premieres from faltering divisions who could no longer keep the inventory and some are testing the market to find foreign buyers to pump more money back into the producer's pockets. If I were attending the market I'd be checking up on world preems of Marian Crisan's Morgen, Laurence Charpentier's Gigola and several of the promo reels, but those that should attract the most attention should be the following ten examples.

Two False Starts and Pitt and Aronofsky are Still ‘Hunting’ for a Project Together

If at first two tries (The Fountain, The Fighter) you don't succeed, then try for the third time is where Darren Aronofsky is headed. I would have thought that the tenacious/stubborn Aronofsky would have dropped his working with Brad Pitt dream, but in the first major announcement at this year's Cannes film fest, the busy until 2017 Aronofsky has teamed with Focus Features to make something out of their deal with Random House book's film division.

Key Players in the Cannes Market: Studio Canal

Studio Canal Among the Cannes selected items, prestige outfitter Studio Canal has a pair of mention-worthy titles in the five plus hour offering from Oliver Assayas and perhaps this year's Battle of Algiers in Rachid Bouchareb's Outside the Law. Among the films they'll be selling in a non-completed stage are Rowan Joffe's Brighton Rock (see pic of Sam Riley) and Joe Cornish's Attack the Block – both of these should be Venice and/or TIFF bound.

Film in Pictures: Mathieu Amalric’s On Tour

I know how I feel about red, white & blue poster work - love it, but knowing how I felt about the only Burlesque show I happen to have seen in Paris two decades back, you won't find me putting Mathieu Amalric's feature directing debut too high up in my must see films to see in Cannes - and that's of course due to the subject matter not the actor taking his directing career more seriously.

Key Players in the Cannes Market: Rezo

Last year the sales/production/distribution company hit a triple (in the prize category) with Dolan's I Killed My Mother, this year they move up a section into the UCR with Heartbeats (see pic above). Worth noting in the sales department is Antoine Blossier's debut horror film Prey (which I was hoping would find a spot in Cannes this year) and Julie Delpy is calling up her parents for a sequel to her rom com, 2 Days in Paris. with 2 Days in New York.

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