Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Cannes Classics for 2010: The Leopard, The Tin Drum and Psycho Restored

Cannes Classics, created in 2004, accompanies contemporary films from the Official Selection with a programme of restored films and lost films that have been found again, as part of their re-release in cinemas or on DVD. The screenings will be held at the Palais des Festival and will be shown again at La Licorne.

Summer Sundance Labs 2010: Sean Durkin, Ondi Timoner, Myna Joseph, Ry Russo-Young and Lena Dunham Heading to Directors and Screenwriters Labs

Today's Sundance Institute announcement on the make-up of this Summer's Directors and Screenwriters Labs offers some insight on the projects we should be seeing in future editions of the festival but also updates us on the progression of some projects we've already got our eyes on -- as is the case with Sean Durkin's upcoming first feature film and Ondi Timoner's (see pic) fictional debut.

Sony Pictures Classics Pulls ‘The Illusionist’ out of Sylvain Chomet’s Hat

After having paired with Sylvain Chomet on his breakout 2D debut The Triplets of Belleville, Sony Pictures Classics have grabbed the rights to the long awaited The Illusionist -- a picture that was supposed to have premiered last year at the Toronto Film Festival and mysteriously Pathe picked the Berlin Film Festival showcase over a possible Cannes premiere.

Film in Pictures: Xavier Dolan’s Les Amours imaginaires

Xavier Dolan returns to the lieu that launched his filmmaking career. 12 months to the date after exploding onto the interntional film scene with the triple prize winning portrait of a love/hate relationship between teenage son and mother in I Killed My Mother, Dolan moves "up" a section going from the Director's Fortnight to the Un Certain Regard spot.

Film in Pictures: Gilles Marchand’s Black Heaven

In the interim, filmmaker Gilles Marchand stuck to his writing work supplying screenplays such as Lemming and Feux rouges for Dominik Moll and Cédric Kahn, but now wearing the director hat, Marchand will be returning to Cannes for the first time since 2003's Who Killed Bambi?

Breaking

Club Kid | Review

Interview: Jordan Firstman – Club Kid

I first took notice of Jordan Firstman through his...

Interview: Sandra Wollner – Everytime

One of the discoveries of this year's Cannes Film...

Wild Horse Nine | Review

They Shoot Agents, Don’t They?: McDonagh Morosely Reflects a...

Interview: Stéphane Brizé – A Good Little Soldier

From The Measure of a Man and At War...
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