Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

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Cronenberg’s ‘A Dangerous Method’ Set for An European May Shoot

PW reports that A Dangerous Method, the new title replacing the not much better one of "The Talking Cure", will commence filming next month and be set in German, Austrian and Swiss cities of Berlin, Vienna and Zurich.

Cocksucker Blues to Resurface in Cannes?

A docu film that shares the same underground prestige as Todd Haynes' Superstar and has been called one of the best documents on Rock & Roll by Jim Jarmusch may finally be making a premiere this year, almost 38 years or so after the fact. Photographer Robert Frank's cinéma vérité styled Cocksucker Blues was a docu on the Rolling Stone's 1972 American tour which never saw the light of day because the band perhaps thought it too honest of a portrait to be released (the camera does not lie), but in today's world comes across as trivial rock star antics.

Vincent Gallo’s ‘Promises Written in Water’ Heading to Cannes

I wasn't in Cannes the year that Brown Bunny drew more jeers, than cheers, but I imagine that last year's Quinzaine screening of Tetro might have made Vincent Gallo warm up to the idea there are other "venues" for experimental pictures. Hence, Gallo is looking to premiere his latest endeavor, Promises Written in Water in the sidebar section next month.

Wang Bing Might Make Cannes His New ‘Hometown’

The good news is that Cannes might be the lieu for Wang Bing's first foray into fiction film, the bad news is, at least temporarily, we know next to nothing on his next film project except that: it was first mentioned in 2007's Pusan Promotion Plan during the 2007 Pusan International Film Festival and will probably be produced by Lihong Kang. If Bing continues with the same themes of interest, Hometown should relate back to the subject matter the Chinese filmmaker explored in his previous documentary films such as China's own industrial revolution and new economy or the Cultural Revolution.

It’s Going to Be a ‘Shit Year’ in Cannes

Don't get confused by the headline -- I'm definitely not bashing the cuvée of films that'll be the make up of the 63rd edition, I'm simply mentioning that Cam Archer's much anticipated sophomore feature going by the title that I'm hoping will stick beyond the festival is, according to a sources close to our site, a lock for the festival.

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