Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Oscars 2010 – Best Music (Original Song): Oscar Sings True for Crazy Heart

Whenever you have a music-based feature that fully embeds original song content in the lead character and storyline, then I don't think there are that many more options to look elsewhere in the category. This and the other songs gave Crazy Heart its backbone and charm. Looking good for the certified win for Bridges.

Oscars 2010 – Animated Feature Film: Up Lifted to Oscar Win Status

Pixar owns the category - and for good reason. Up isn't the company's crowning achievement, but the film's first act appeared to be solid enough to grab this predictable win.

Oscars 2010 – Best Supporting Actor: Christoph Waltz Hunts Down Oscar

Ask me after having seen Basterds for the first time, if Christoph Waltz had a chance at he'd have a chance at an acting award and I would have said "he be lucky to make it in the top 5 noms". Of course he won at Cannes and every single supporting award since then. This win comes as no surprise - you can tell by this speech, which was rehearsed when he won the Golden Globe.

25th Independent Spirit Awards: Precious Predictably Wins

Mo’Nique still has one more trophy to pick up this weekend, but the good times for everyone involved in the making of Precious has pretty much come to a close. The film picked up the awards for best feature, best director (Lee Daniels), best actress, best supporting actress and the hard fought category for best first screenplay. The Best Foreign Film vote somehow got mangled up favoring An Education over A Prophet.

Indie Helmer Chris Gorak Moves into His ‘Darkest Hour’

Right at Your Door, Chris Gorak's 2006 low budget debut was essentially his calling card, however, the Sundance film got picked up, but it took a while for Hollywood to place the director in the rolodex. Looks like someone at Regency did just that.

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