Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

TIFF Picks 09: Pablo Stoll’s Hiroshima

It's difficult to discuss a movement when one gets that sense that we might be in still in the nascent stages of it, but such as the new wave of Romanian films, Uruguay is seeing a definite collective that Pablo Stoll started along with the late Juan Pablo Rebella by introducing 25 Watts and Whisky to the int. film community.

TIFF Picks 09: Suzana Amaral’s Hotel Atlantico

Amaral might be considered the Terrence Malick of Brazil - not for her style, but her total output of films. Born in 1932, she first came onto the scene with The Hour of the Star in 86', and Hotel Atlantico is only her third feature film.

Collector’s Choice: Sugar, Sin Nombre, State of Play

Some worthy rentals on DVD/Blu-ray today, we have Cary Joji Fukunaga's Sin Nombre (77% on Metacritic) which played at Sundance to positive reviews, I raved about it, but unlike a couple of Bens we know, it won't crack my top 10 this year. Extras include: deleted scenes and a commentary with Fukunaga and the producer who backed him and looks like a genius in Amy Kaufman.

Sean Byrne’s Top Ten Films of All Time

Have you ever wondered what are the films that inspire the next generation of filmmakers? As part of our monthly IONCINEPHILE profile, we ask the filmmaker the incredibly arduous task of identifying their top ten list of all time favorite films. This month, Sean Byrne (the filmmaker behind The Loved Ones) gave us his top ten (as of September 2009).

Sean Byrne

My filmic influences were a real mash up. Structurally the film is closest to Misery but tonally there are shades of Carrie, Dazed and Confused, Footloose, The Terminator, Tarantino, Lynch and even Walt Disney.

Breaking

Primetime | Review

The Catcher in the Sty: Oppenheim Skewers Hack Journalist It’s...

Interview: Producer Ryan Martin Brown – The Scout

While countless films have delved into filmmaking, viewing it...

Ha-chan, Shake Your Booty! | Review

Strictly Soft Gloom: Wladyka's Bereft Bliss Puts Spotlight on...

Alpha Gang | 2026 Toronto Intl. Film Festival Review

Close Encounters Of The Biker Gang Kind: The Zellners’...
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