Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Midway Point: Top 10 Most Anticipated Films of 2009: #9. The Lovely Bones

I'm extremely curious to see how a touchy concept might play out on the big screen. The film with the narration I'm most looking forward to seeing. Heavenly Creatures anyone?

Top 10 List of the Most Anticipated Films For the Rest of 2009 (July-Dec)

The 2007 Blacklist mention, the 20 million $ project is working from an odd real life premise about one Robert Durst, a real estate heir whose first wife, Kathleen McCormack, disappeared in 1982. If you thought the family in the Friedmans were f*cked up, wait till you get the details on this one.

Muntean Treads Familiar Themes with Tuesday, After Christmas

Radu Muntean's Cannes entry Boogie, saw popular Romanian actor Dragos Bucur take on the role of the husband who after a a quarrel with the wife, hooks up with some old buddies and loses focus for an evening. Variety reports that Muntean's next feature will touch upon similar themes of guilt and “choices”.

A ‘Tailor’ made International Career for Let the Right One In’s Tomas Alfredson

You can bet that Swedish helmer Tomas Alfredson had to field tons of requests for his next directing gig since the international success of Let the Right One In – the pic that was so popular that an American remake was commissioned quickly during the craze (Let Me In is going to be released in January of next year). Today, the director follows in the footsteps of Fernando Meirelles, who after giving us breakout City of God also took on a John Le Carré novel (The Constant Gardener).

Film Review: Nothing Personal (Rien De Personnel)

Much like Altman's Gosford Park, the interesting component of this exercise is to witness firsthand how gossip spreads like wildfire, once it is out of control the foreground is filled with victims. Unfortunately, Gokalp is working with a well-mannered chaos here and the characters aren't unhinged or strung out enough to make each repeated viewing all the more alluring. Thankfully, Nothing Personal contains a guessing game of sorts – figuring out the true puppet-master of the evening ends up being the only fun. It's a moderately amusing film for adult audiences but not incendiary enough about the company downsizing theme it entertains.

Breaking

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2026 World Cinema Fund: Ana Cristina Barragán, Amanda Nell Eu & Lara Zeidan Receive Coin

Projects from Bangladesh, Burkina Faso, Cambodia, Ecuador, Lebanon, Malaysia,...
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