Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Time ‘Machine’ spec sale for Green & McBride

He is in post-production with Snow Angels. He is in pre-production with Goat. Now comes word that David Gordon Green (for those you don’t know him by name – he last directed Undertow) just sold a spec script to Universal. Weird thing is: it’s a comedy. Where does David find the time?

Take a look at Corbijn’s ‘Control’

General rule of thumb: biopics on singers/bands are painfully awful. I’ll let folks debate the merits of the recent Johnny Cash and Ray Charles features but this July there are a couple of legendary singers that might get a screen treatment worth the brouhaha.

Sossaman and Burns Answer “One Missed Call”

The cell phone rings, you don’t recognize the number, but you do know the voice; it’s your own, and you are being murdered. That’s the premise behind French filmmaker Eric Valette’s remake of Takashi Miike’s 2003 Japanese horror film “Chakushin Ari (One Missed Call)”.

Amy Adams goes to ‘War’

For those of us who can't wait to see Amy Adams (the adorably naïve gal in Junebug) in another Oscar worthy role can stop holding our breath. It has been announced that Adams is set to appear in Mike Nichols' exposé on American Intelligence, Charlie Wilson's War. The film also stars Tom Hanks, indie-fav Philip Seymour Hoffman, and Julia Roberts.

Review: Miami Vice

"Miami Vice might have great visuals in the globe trotting form of ambitious day and night shootings but it doesn’t have a script to match"

Breaking

Club Kid | Review

Interview: Jordan Firstman – Club Kid

I first took notice of Jordan Firstman through his...

Interview: Sandra Wollner – Everytime

One of the discoveries of this year's Cannes Film...

Wild Horse Nine | Review

They Shoot Agents, Don’t They?: McDonagh Morosely Reflects a...

Interview: Stéphane Brizé – A Good Little Soldier

From The Measure of a Man and At War...
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