Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Aristobrats: Alice Rohrwacher Lands Josh O’Connor, Dakota Johnson, Saoirse Ronan & Jessie Buckley for ‘Three Incestuous Sisters’

Major world cinema news lands on a Friday afternoon: Italian filmmaker Alice Rohrwacher, arguably riding the high of her finest feature yet with La...

Interview: Scandar Copti – A Childhood (Work in Progress)

Known for blurring the boundaries between fiction and documentary, Palestinian filmmaker Scandar Copti crafts work that moves fluidly between lived reality and constructed narrative....

2026 César Awards: Carine Tardieu’s ‘The Ties That Binds Us’ Lands Best Film

It was a rare Thursday night ceremony for the 51st César Awards ceremony and Carine Tardieu's L'Attachement aka The Ties That Binds Us (which...

2026 Berlin International Film Festival – Checklist of Our Coverage

IONCINEMA.com’s Chief Film Critic Nicholas Bell reviewed the entire competition and more. Here is a comprehensive guide to all the feature film reviews from...

Roya | 2026 Berlin Intl. Film Festival Review

I Confess: Mohammadi's Myriad of Memory Celebrates Women of Iran Who Don't Stand Idly By While we understand imprisonment as punishment par excellence, what Iranian...

Breaking

Total Eclipse of the Art: Markus Schleinzer Sets Christian Friedel as ‘Klaus’ Nomi

Fresh off the acclaimed Berlinale premiere of his third...

No Disappearing Act Here: Kino Lorber Locates Manuela Martelli’s ‘The Meltdown’

Following its Un Certain Regard premiere at Cannes, Manuela...

Two Prosecutors | Review

Ordeal by Innocence: Loznitsa Mines the Terrors of Naïveté A...
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