Exclusive articles:
L’intérêt d’Adam | 2025 Cannes Film Festival Review
No Bandaid Solutions: Wandel’s Suffocating Drama Explores Collective Collateral Damage
Following her remarkable debut Playground (read review), Belgian auteur Laura Wandel moves from a harrowing...
IndieSponge Episode: 2025 Cannes Film Festival Palme d’Or Predictions
Before our official June relaunch, Kevin Jagernauth and I deliver our top three picks for what we believe has a firm chance at grabbing...
Live From Cannes!!! Meet the Jury For Our 2025 Cannes Critics’ Panel
IONCINEMA.com has been gauging the pulse of the Palme d’Or competition since 2011. We first jumped into the water when trades such as Screen...
Sister Midnight | Review
Crazy On You: Kandhari’s Strange Fantasy of Madness
It’s been nearly twenty years since director Karan Kandhari’s 2005 debut Bye Bye Miss Goodnight (since then working on...
Exclusive Clip: It’s Chill Vibes (for Now) in Pedro Pinho’s ‘I Only Rest In The Storm’
After premiering The Nothing Factory in the Directors' Fortnight section back in 2017, Portuguese filmmaker Pedro Pinho returns to Cannes this time with I...
