Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

2017 Sundance Film Festival Predictions: Joe Swanberg’s Win It All

While he was busy delivering the Netflix Series 'Easy,' January to November 2016 will have came and went and we will not have heard...

2017 Sundance Film Festival Predictions: Craig Johnson’s Wilson

Now pegged with a March 24th date via Fox Searchlight, despite it not being an acquisitions title, Craig Johnson's Wilson could still land in...

2017 Sundance Film Festival Predictions: Fritz Böhm’s Wildling

Sundance’s 2015 breakout starlet Bel Powley stars in a project that is being Let The Right One In and maybe a pinch of The Babadook. Prior...

2017 Sundance Film Festival Predictions: Andrew Dosunmu’s Where is Kyra?

Andrew Dosunmu left quite the mark with his Sundance preemed micro-indie (Restless City) and macro indie (Mother of George) offerings and now he turns...

2017 Sundance Film Festival Predictions: Lake Bell’s What’s The Point?

We heart Lake Bell's head, specifically what's inside it. In a World... not only took us by surprise, but it took the home the Waldo...

Breaking

Primetime | Review

Interview: Producer Ryan Martin Brown – The Scout

While countless films have delved into filmmaking, viewing it...

Ha-chan, Shake Your Booty! | Review

Strictly Soft Gloom: Wladyka's Bereft Bliss Puts Spotlight on...

Alpha Gang | 2026 Toronto Intl. Film Festival Review

Close Encounters Of The Biker Gang Kind: The Zellners’...

Magazine | 2026 Toronto Intl. Film Festival Review

Not Worth The Subscription: Pechman’s Debut Flips Through The...
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