Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society) and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Key Players in the 2012 Cannes Film Market: Pathe International

Unless you count Roman Polanski's Tess as a significant invite, Pathe International is pretty much relegated to market screenings, but this week it was...

Key Players in the 2012 Cannes Film Market: MK2

With three selected films in the Main Comp (Yousry Nasrallah's After the Battle, Abbas Kiarostami's Like Someone in Love, Walter Salles' On the Road)...

Key Players in the 2012 Cannes Film Market: Memento Films Int.

We Laurent Cantet's Foxfire pegged for TIFF, Jim Mickle's We Are What We Are slotted for Sundance 2013 and Under the Rainbow being an...

Key Players in the 2012 Cannes Film Market: The Match Factory

Experts in auteur cinema, German sales company The Match Factory have quite the sampling this year with names such as Thai Joe (Mekong Hotel...

Key Players in the 2012 Cannes Film Market: Kinology

This year the Grégoire Melin's Kinology can do no wrong - they nabbed the best real-estate on the Croisette and reminded us that Harmony Korine's...

Breaking

Sleepless City (Ciudad Sin Sueño) | 2025 Cannes Film Festival Review

A Boy & His Dog: Galoe Sweeps Through Slums...

The Secret Agent | 2025 Cannes Film Festival Review

Mischief, Thou Art Afoot: Filho Captivates with Seductive, Furtive...

2025 Cannes Critics’ Panel: Day 6 – Wes Anderson’s ‘The Phoenician Scheme’

With three previous films in the Cannes competition beginning...

The Phoenician Scheme | 2025 Cannes Film Festival Review

Much Ado About Fussing: Anderson Spills More Twee The Wes...
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