Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Magnolia Insert Jacob Vaughan’s “Milo” into Schedule; SXSW Fave Gets Adopted Early

Among the 2013 SXSW Film Festival highlights (it played like gangbusters at its world premiere screening at the Alamo Ritz), Deadline reports that the...

Nuri Bilge Ceylan Moves into “Winter Sleep” Mode, Ruben Ostlund Set for “Tourist”

A little bit of coin news from Europe's Eurimages Fund (support of 13 projects) in the same token drops a couple of hints on...

IONCINEPHILE: Tim Sutton’s Top Ten Films of All Time List

Have you ever wondered what are the films that inspire the next generation of visionary filmmakers? As part of our monthly IONCINEPHILE profile (read...

IONCINEPHILE of the Month: Tim Sutton (Pavilion)

IONCINEMA.com’s IONCINEPHILE of the Month feature focuses on an emerging filmmaker from the world of cinema. This March, we feature Tim Sutton, whose debut...

SXSW 2013: Behind the Eight Ball

This is one of the rare moments in one's life when jury duty calls.... you emphatically say, yes. Yours truly is headed to the...

Breaking

2026 Cannes Critics’ Panel: Day 7 – Andrey Zvyagintsev’s ‘Minotaur’

We nearly lost this master filmmaker during the Covid...

Her Private Hell | 2026 Cannes Film Festival Review

What Have They Done to Your Daughters?: Refn Returns...

Fjord | 2026 Cannes Film Festival Review

Uncanny Valley: Mungiu Explores Liberated Prisons Totalitarian mentality is driven...

Six Months in a Pink and Blue Building | 2026 Cannes Film Festival Review

Years We Fell Apart: Razo Resurrects the Final Throes...
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