In a debut whose chief eloquence lies, paradoxically, in its simmering silences, Vietnamese filmmaker Tran Anh Hung recalls the meditative filmmaking of masters like Ozu and Bresson—but not without his own inspired revisions.
In a debut whose chief eloquence lies, paradoxically, in its simmering silences, Vietnamese filmmaker Tran Anh Hung recalls the meditative filmmaking of masters like Ozu and Bresson—but not without his own inspired revisions.