Tommaso Tocci

64 POSTS
A freelance film critic and programmer, Tommaso Tocci is based between Paris and Rome. He covers the European festival circuit and he's a member of FIPRESCI and the International Cinephile Society. His Top 3 for 2021: After Blue (Bertrand Mandico), Titane (Julia Ducournau), What Do We See When We Look at the Sky? (Alexandre Koberidze).

Exclusive articles:

Foxtrot | Review

Dancing in Hollow: Maoz Moves Sharply between Shock, Grief & Absurdity Israeli director Samuel Maoz was one of the most surprising Golden Lion winners in...

The Leisure Seeker | Review

Enduring Love & Fading Memories: Disappointingly Competent Road Movie Via Virzì Heavyweights Helen Mirren and Donald Sutherland take center stage in this mildly entertaining dramedy about...

2017 Venice Film Festival: Kechiche, Mandico & Ming-liang in Tommaso Tocci’s Top Five

It’s been a good year on the Lido, with a balanced and compact Competition slate that avoided the rollercoaster feeling of recent years and...

Le Fidèle (Racer and the Jailbird) | Venice Film Festival Review

A Child’s Heart: Roskam Keeps Digging to Find What Lies Beneath Fast Cars & Bank Heists From native Belgium to the States and back, Michaël...

Mektoub, My Love: Canto Uno | 2017 Venice Film Festival Review

A Summer of Love, One Dance at a Time: Kechiche’s Sprawling, Circular Poem Follows in the Footsteps of Blue It’s only the first part for now...

Breaking

La cocina | Review

Soap Kitchen: Ruizpalacios Underwhelms & Over Bakes Food Drama Making...

Bonjour Tristesse | Review

Lifestyles of the Rich, Conflicted & Coddled: Dull Vacation...

Most People Die on Sundays | Review

A Month of Sundays: Said Squeezes Magic Out of...

The Scary House | 2025 Udine Far East Film Festival Review

Watanabe Smarter Than Ghosts, but The Scary House Had...
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