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Movie Reviews
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I Plant My Hand in the Garden | 2026 Venice Film Festival Review
October 27, 2026
Closure | Review
October 27, 2026
Prince | 2026 London BFI Film Festival Review
October 26, 2026
Possible Love | Review
October 23, 2026
Fatherland | Review
October 22, 2026
American Independent Films
World Cinema
Documentary Films
Interviews
IONCINEPHILE of the Month
Interview: Damian Kocur – La Manche | 2026 Venice Gap-Financing Market
October 29, 2026
Interview: Lila Avilés – Cábula | 2026 Venice Gap-Financing Market
October 28, 2026
Interview: Hédi Zardi Atlas Workshop – 2026 Marrakech Film Festival
October 24, 2026
Lee Chang-dong – Possible Love
October 23, 2026
Interview: Travis Knight – Wildwood
October 23, 2026
American Independent
World Cinema
Documentary Film
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Top 3 Critics' Picks
Top 50 Future TV Binge List
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Suzanne Lindon’s ‘L’Équipe’ – Everything We Know So Far …
October 24, 2026
Isabella Eklöf’s ‘Mr. Nawashi’ – Everything We Know So Far …
October 3, 2026
Justine Triet’s ‘Fonda’ – Everything We Know So Far …
August 29, 2026
Nuri Bilge Ceylan’s ‘Yorgun Güneş’ – Everything We Know So Far …
August 22, 2026
Hindsight is 2026…Midway Mark: Nine U.S. Dramatic Titles Have Found Homes!…Now What?
August 20, 2026
IONCINEPHILE
IndieSponge TV
FYC (Awards!)
You Betcha!
2027 Oscars: Japan (not France) Submits Hamaguchi’s ‘All of a Sudden’ in International Feature Race
August 26, 2026
2027 Oscars: ‘Everytime’, ‘Coward’ & ‘Possible Loves’ Enter International Feature Oscar Race
August 25, 2026
2027 Oscars: Austria Backs Hüller as ‘Rose’ in the Best Intl. Feature Film Category
August 14, 2026
2026 Oscars Score Card: No Surprises Here as One Battle After Another Wins Best Picture
March 16, 2026
Pencils Down: Our 2026 Oscar Predictions!
March 15, 2026
American Indie
World Cinema
Film Fests
IndieSponge TV
Ioncinema
We Heart Subtitles
Movie Reviews
VOD
I Plant My Hand in the Garden | 2026 Venice Film Festival Review
October 27, 2026
Closure | Review
October 27, 2026
Prince | 2026 London BFI Film Festival Review
October 26, 2026
Possible Love | Review
October 23, 2026
Fatherland | Review
October 22, 2026
American Independent Films
World Cinema
Documentary Films
Interviews
IONCINEPHILE of the Month
Interview: Damian Kocur – La Manche | 2026 Venice Gap-Financing Market
October 29, 2026
Interview: Lila Avilés – Cábula | 2026 Venice Gap-Financing Market
October 28, 2026
Interview: Hédi Zardi Atlas Workshop – 2026 Marrakech Film Festival
October 24, 2026
Lee Chang-dong – Possible Love
October 23, 2026
Interview: Travis Knight – Wildwood
October 23, 2026
American Independent
World Cinema
Documentary Film
Features
Tracking Shot
Top 3 Critics' Picks
Top 50 Future TV Binge List
Film Book Reviews
World Cinema Report
Suzanne Lindon’s ‘L’Équipe’ – Everything We Know So Far …
October 24, 2026
Isabella Eklöf’s ‘Mr. Nawashi’ – Everything We Know So Far …
October 3, 2026
Justine Triet’s ‘Fonda’ – Everything We Know So Far …
August 29, 2026
Nuri Bilge Ceylan’s ‘Yorgun Güneş’ – Everything We Know So Far …
August 22, 2026
Hindsight is 2026…Midway Mark: Nine U.S. Dramatic Titles Have Found Homes!…Now What?
August 20, 2026
IONCINEPHILE
IndieSponge TV
FYC (Awards!)
You Betcha!
2027 Oscars: Japan (not France) Submits Hamaguchi’s ‘All of a Sudden’ in International Feature Race
August 26, 2026
2027 Oscars: ‘Everytime’, ‘Coward’ & ‘Possible Loves’ Enter International Feature Oscar Race
August 25, 2026
2027 Oscars: Austria Backs Hüller as ‘Rose’ in the Best Intl. Feature Film Category
August 14, 2026
2026 Oscars Score Card: No Surprises Here as One Battle After Another Wins Best Picture
March 16, 2026
Pencils Down: Our 2026 Oscar Predictions!
March 15, 2026
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Foreign Film News
Page 22
Foreign Film News
Foreign Film News
Toque in Trilogy: Carla Simon Dances with Producer María Zamora for “Romería”
Eric Lavallée
-
September 22, 2023
0
Foreign Film News
Labor Market: Laure Calamy Toplines Anne-Sophie Bailly’s Debut “Les Inséparables”
Eric Lavallée
-
September 22, 2023
0
Foreign Film News
Northward Bound: Lucia Garibaldi in Production on “Un Futuro Brillante”
Eric Lavallée
-
September 21, 2023
0
Foreign Film News
Mirrored Life: Jaime Rosales Looks at Love Entanglement with “Morlaix”
Eric Lavallée
-
September 21, 2023
0
Foreign Film News
The Key to My Art: Kaouther Ben Hania to Direct “Tu ne feras point d’images” in 2024
Eric Lavallée
-
September 20, 2023
0
Foreign Film News
Exclusive: Céline Rouzet’s Clips for En attendant la nuit (For Night Will Come)- 2023 Venice Film Festival
Eric Lavallée
-
September 2, 2023
0
Foreign Film News
Exclusive Poster: Pondering the Future in Nehir Tuna’s “Dormitory”
Eric Lavallée
-
September 1, 2023
0
Foreign Film News
Exclusive: Clip for Andrés Peyrot’s God is a Woman – 2023 Venice Film Festival’s Critics’ Week
Eric Lavallée
-
August 29, 2023
0
Foreign Film News
Exclusive: Clips for Héléna Klotz’s Spirit of Ecstasy – 2023 TIFF Platform Programme
Eric Lavallée
-
August 28, 2023
0
Foreign Film News
Nothing for Nathan: Producer Saïd Ben Saïd Reteams with Paul Verhoeven for “Sans compter”
Eric Lavallée
-
August 23, 2023
0
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