Interview: Lukas Dhont – Coward | 2026 Cannes Film Festival

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Following the Grand Prix–winning Close, Belgian filmmaker Lukas Dhont returned to the Cannes competition with a film that explores how war reshapes identity, intimacy, and the very idea of courage. In Coward, set during World War I, Dhont uses the backdrop of trench warfare not only to depict fear as a natural response to institutionalized slaughter, but also to examine repressed emotional and sexual intimacy among soldiers, where bonds formed under extreme conditions become both lifelines and sources of danger within rigid military hierarchies. Through Pierre and Francis, the film interrogates what it means to be labeled a “lâche,” suggesting that masculinity itself can function as a performance—both literal, through staged theatrical acts within the war setting, and social, through the expectations imposed on soldiers. Winner of the Best Actor award in Cannes shared by its two leads, Emmanuel Macchia and Valentin Campagne, it was during a roundtable interview in which I had the opportunity to ask Lukas about the significance of the title and how it shaped the production. Mubi landed North American rights to the film which will likely play at further prestige fests. Here is the audio.

Eric Lavallée
Eric Lavalléehttps://www.ericlavallee.com
Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

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