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Lost in La…2015 Documentary Edit and Story Labs: Fulton & Pepe, Jamie Meltzer Among 8 Projects Selected

While not all receive the golden ticket for a Park City premiere, the invaluable support available at the Sundance Institute is ongoing and takes several shapes and forms. Last year’s batch of Documentary Edit and Story Labs attendees included Anna Sandilands & Ewan McNicol who trimmed Uncertain, while Lyric Cabral & David Felix Sutcliffe spliced into shape (T)ERROR. As underlined in the press release, this year’s eight projects touches of subjects of transgender parents, the aftermath of Sandy Hook tragedy, exonerated death row inmates and AIDS. Among the noteworthy names attending (June 19-27 and July 3-11) we find Lost in La Mancha duo of Keith Fulton & Lou Pepe (see pic above) and Informant director Jamie Meltzer’s tentatively titled Freedom Fighters. Here are the participants and creative folk for ’15.

Editors serving as Creative Advisors for the June 19-27 session are Marshall Curry (Point and Shoot), Ra’anan Alexandrowicz (The Law In These Parts), Tom Haneke (Where Soldiers Come From), Mary Lampson (Harlan County), Geoffrey Richman (Racing Extinction) and Jean Tsien (Shut Up and Sing). Editors serving as Creative Advisors for the July 3-11 session are Robb Moss (Containment), Kate Amend (The Case Against 8), Richard Hankin (God Loves Uganda), Shannon Kennedy (Words of Witness), Victor Livingston (The Queen of Versailles) and Jeff Malmberg (Marwencol).

The Documentary Film Program, under the leadership of Tabitha Jackson, believes documentary is an increasingly important global art form and a critical cultural practice in the 21st century and provides year-round support to filmmakers through the Documentary Fund, labs, fellows programs and strategic advice from development to distribution.

Artists and projects selected for the 2015 Documentary Edit and Story Labs:

The Bad Kids
Director: Keith Fulton & Lou Pepe
Editor: Jacob Bricca
At a remote Mojave Desert high school, extraordinary educators believe that empathy and life skills, more than academics, give at-risk students command of their own futures. This coming-of-age story watches education combat the crippling effects of poverty in the lives of these so-called “bad kids.”

Co-Directors: Jessica Dimmock & Christopher LaMarca
Editor: Fiona Otway
Brick reveals the raw emotional and physical experience of being a middle aged to senior transgender woman coming out for the first time in the Pacific Northwest.  The film follows three intersecting stories of individuals who have lived their whole lives as men, and have decided this burdensome secret is one they can no longer keep.

Freedom Fighters (working title)
Director: Jamie Meltzer
Editor: Jeff Gilbert
There’s a new detective agency in Dallas, Texas, started by a group of exonerated men who collectively spent decades in prison. They call themselves the Freedom Fighters, and they look to free innocent people behind bars. Freedom Fighters (working title) follows these change-makers as they learn to investigate cases,  support each other and rebuild their lives.

Newtown (working title)
Director: Kim A. Snyder
Editor: Gabriel Rhodes
Newtown (working title) explores the complex aftermath of one of the deadliest mass shootings in America’s history that took the lives of 20 elementary school children and six educators on 12/14/12. Over the course of the following two years, the filmmakers use their exceptional access to document interconnected fates within a traumatized community fractured by grief, bonded in otherness, and driven toward a sense of purpose.

Beitar (working title)
Director: Maya Zinshtein
Editor: Noam Amit
In January 2013 a historical transfer deal transported two Muslim football players into the heart of Israel, Beitar Jerusalem F.C. One season and one football team in crisis, and behind the story lurks the money and power that will send the club spiralling out of control.

Memories Of A Penitent Heart
Director: Cecilia Aldarondo
Editor: Hannah Buck
Twenty-five years after Miguel repented of being gay on his deathbed, his niece Cecilia goes looking for his long-lost partner Robert and cracks open a Pandora’s box of unresolved family drama. The first-ever documentary to tackle the unresolved wounds of family conflict wrought by AIDS, Memories of a Penitent Heart is a nuanced exploration of faith, love and redemption.

The Peacemaker
Director: James Demo
Editor: Erin Casper
The Peacemaker follows international peacemaker Padraig O’Malley, who helps make peace for others while often struggling to find it for himself. The film takes us from Padraig’s isolated life in Cambridge, Massachusetts to some of the most dangerous crisis zones on Earth – from Northern Ireland to Kosovo, Nigeria to Iraq – to chronicle five years of his journey working a peacemaking model based on his recovery from addiction.

The Lovers and the Despot
Co-Directors: Ross Adam, Rob Cannan
Editor: Jim Hession
Following the collapse of their marriage and careers, a celebrity director and actress are kidnapped by movie-obsessed dictator Kim Jong-il. They get a second chance at love and a blank check for films. But at the mercy of a powerful tyrant in the world’s most oppressive state, is their story one of survival or temptation?

Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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