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At the Movies Cancelled: Who Should Reopen the Balcony?

I think it was in 1988 when I first started getting into Gene Siskel and Roger Ebert who took great pleasure in ripping into films and each another. If tonight’s announcement tells us anything, it’s that, when everyone is chummy, and agreeing to agree or disagree, it makes for boring television and what I imagine was a ratings falloff for several post-Ebert years now.

I think it was in 1988 when I first started getting into Gene Siskel and Roger Ebert who took great pleasure in ripping into films and each another. If tonight’s announcement tells us anything, it’s that, when everyone is chummy, and agreeing to agree or disagree, it makes for boring television and what I imagine was a ratings falloff for several post-Ebert years now. There are other factors as to why the show is being shut down: No Ebert, no resources for film criticism, and way too many channels to choose from. 

I would never have gotten serious about cinema if it wasn’t for Siskel highlighting why docu films are important with his glowing review for The Thin Blue Line, or for Ebert championing Hoop Dreams. I would have never seen Do the Right Thing, One False Move, Crumb or early Coen bros. films from the 80’s if they hadn’t strong-armed me into thinking I might be missing out on something. In 1989, I was on the same page as them with their praise for Drugstore Cowboy. I was sold on At the Movies ever since.

The train wreck began with the horrible seat fillers taking over for Ebert and when the show switched to the two Bens aiming for the Rotten Tomatoes demo, I would cringe and started contemplating who I’d magically replace them by. Now that the show is kaput, actually its only going off the air in August, its time for some young hip producer to go with my idea

 James Rocchi and Karina Longworth

Along with a 52-show supply of funky of top hats and funky eyeglasses, I’d put West Coast critics and former Cinematical writers James Rocchi and Karina Longworth in a studio/balcony, good manners aside, let these two duke it out.

Which critics would you like to see fill these seats?

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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