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Magnet Locates ‘Vanishing on 7th Street’ and Sets February Release

There’s no question as to which section Magnolia Pictures’ Tom Quinn was checking out during TIFF last month. Fresh from a world preem in the Midnight Madness section in Toronto last month, Magnet Releasing have grabbed the rights to Brad Anderson’s Vanishing on 7th Street and are setting it up for a February release.

There’s no question as to which section Magnolia Pictures’ Tom Quinn was checking out during TIFF last month. Fresh from a world preem in the Midnight Madness section in Toronto last month, Magnet Releasing have grabbed the rights to Brad Anderson’s Vanishing on 7th Street and are setting it up for a February release. Even though I didn’t consider the film coverage worthy at TIFF and while I prefer Paul Thomas and Wes’ work, I consider myself an Anderson fan enough to want to check this out on home vid – Screen Daily called the pic a “subtler, more stimulating variation on the traditional horror/zombie/apocalypse film.”

A mysterious, seemingly global blackout yields countless populations to simply vanish, leaving only their clothes and possessions behind. A small handful of survivors band together in a dimly-lit tavern on 7th Street, struggling to combat the apocalyptic horror. Realizing they may in fact be the last people on earth, the darkness hones in on them alone.

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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