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Review: Submarine

“Everything from breaking up the movie into chapters (titles rendered in trendy fonts) to faux-New Wave montages, to doubling-up on visual information with unnecessary voice-over (for instance, as Hawkins and Considine leave a restaurant together and enter his crystal-covered van, Oliver announces to the viewer: “It seems dear Mom is having an affair.”), all provide escapism, not for the audience into the movie, but for the movie away from itself.”

Submarine


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“Everything from breaking up the movie into chapters (titles rendered in trendy fonts) to faux-New Wave montages, to doubling-up on visual information with unnecessary voice-over (for instance, as Hawkins and Considine leave a restaurant together and enter his crystal-covered van, Oliver announces to the viewer: “It seems dear Mom is having an affair.”), all provide escapism, not for the audience into the movie, but for the movie away from itself.”

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Ryan Brown is a filmmaker and freelance writer living in Brooklyn, NY. He has an MFA in Media Arts from City College, CUNY. His short films GATE OF HEAVEN and DAUGHTER OF HOPE can be viewed here: vimeo.com/user1360852. With Antonio Tibaldi, he co-wrote the screenplay 'The Oldest Man Alive,' which was selected for the "Emerging Narrative" section of IFP's 2012 Independent Film Week. Top Films From Contemporary Film Auteurs: Almodóvar (Live Flesh), Assayas (Cold Water), Bellochio (Fists in the Pocket), Breillat (Fat Girl), Coen Bros. (Burn After Reading), Demme (Something Wild), Denis (Friday Night), Herzog (The Wild Blue Yonder), Leigh (Another Year), Skolimowski (Four Nights with Anna), Zulawski (She-Shaman)

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